Jon Little

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In Bryan’s Red Hook neighborhood of Brooklyn, the worst thing you can be is soft. Back down from a fight, apologize or just talk your problems out—you’re soft.

But Bryan’s a good kid. He’s quiet, studious and totally bananas for comic books. It still kind of irks him when his big sister calls him soft, but the last thing he wants in his life is more drama. He’s seen plenty of that as the projects are brimming with it. His in-and-out-of-jail dad hangs out on the corner, all but courting it. But Bryan? Nah. Give him the latest Black Panther comic, a quiet room to read in, and he’s perfectly content, soft or not.

But when Bryan meets Mike, everything changes. Things get tight. At first, it’s a good tight—the tightness of friends who bond over comics and common interests. But when Mike starts urging Bryan to skip class or to hop the subway turnstiles and run from the cops, their relationship turns a new kind of tight, a tense tight, like a rope threatening to snap any moment.

With Tight, the poignant tale of a young Puerto Rican-American struggling to find his place in a world awash in drama, author Torrey Maldonado questions the macho masculinity that has ensnared and imperiled American boys for so long. He shows us how hard it can be to overcome our anger and break free from cultural norms, no matter how outdated or dangerous they may be.

With its understated prose, evocative dialogue and much-needed message, Tight is essential reading.

With Tight, the poignant tale of a young Puerto Rican-American struggling to find his place in a world awash in drama, author Torrey Maldonado questions the macho masculinity that has ensnared and imperiled American boys for so long.
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BookPage Children's Top Pick, October 2018

The inimitable M.T. Anderson has teamed up with award-winning author and illustrator Eugene Yelchin for The Assassination of Brangwain Spurge—which is not quite a graphic novel but far more than your traditional illustrated middle grade book. Yelchin’s wonderfully quirky drawings fill entire chapters without any accompanying text. Other times, they supplement Anderson’s pithy prose or directly contradict it. Such is the inventive world of this wry, rollicking and totally refreshing take on cultural contact and conflict—in this case, between elves and goblins.

Having been at war for as far back as their histories stretch, elves and goblins are sworn enemies, but they’ve entered a period of tenuous peace. In stumble Brangwain Spurge and Werfel (an odd couple if there ever was one), two historians who are more at home in dusty libraries than at the center of the historical stage. Spurge, a pompous elf, has been selected by his government to return an ancient relic to the goblin overlord as a peace offering. Werfel, a gracious and endearing goblin, is tasked with playing cultural emissary to his elfin peer.

Werfel soon realizes that Spurge has no interest in anything that might change his view of goblins as uncultured brutes. Between Spurge’s prejudice and Werfel’s deep sense of hospitality—which requires him to appease his guest as well as protect him with his life—hilarity ensues.

A brilliant, satirical take on cultural chauvinism, objectivity and war and peace, The Assassination of Brangwain Spurge is witty, wise and wondrously unique.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

The inimitable M.T. Anderson has teamed up with award-winning author and illustrator Eugene Yelchin for The Assassination of Brangwain Spurge—which is not quite a graphic novel but far more than your traditional illustrated middle grade book. Yelchin’s wonderfully quirky drawings fill entire chapters without any accompanying text. Other times, they supplement Anderson’s pithy prose or directly contradict it. Such is the inventive world of this wry, rollicking and totally refreshing take on cultural contact and conflict—in this case, between elves and goblins.

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With his brilliant debut, Darius the Great Is Not Okay, Adib Khorram has given us one of the most compelling and humorous teen narrators in recent memory.

Darius Kellner is half Persian, half white and constantly out of his depth. With no friends, a penchant for “dietary indiscretions” and a titanic sense of insufficiency, Darius is not OK.

When his Iranian grandfather gets sick, the family jumps aboard a plane to Iran, and Darius finds a whole new world waiting for him—along with all his same old problems. With more knowledge of Klingon than Farsi, Darius once again finds himself on the outside looking in. But after a lifetime of playing the odd man out, Darius finds his first true friend—and perhaps his first true love—and begins to accept that not being OK might be OK after all.

With a host of perfectly imperfect characters and more “Star Trek” and J.R.R. Tolkien references than you’ll likely find outside of a Comic-Con, Khorram takes on a host of weighty topics with uncanny lightness and care. Whether depicting Darius’ depression, his budding romance or his struggle to unravel his cultural, familial and sexual identities, Khorram approaches his narrative with a rare mix of humor, respect and deep sympathy.

Equally entertaining and endearing, Darius the Great Is Not Okay is a must-read if you’ve ever felt out of place or insufficient.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

With his brilliant debut, Darius the Great Is Not Okay, Adib Khorram has given us one of the most compelling and humorous teen narrators in recent memory.

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Evie has never fit in. The local fisherfolk scorn her as uppity because her two best friends, Prince Nik and Anna, have royal blood in their veins. But even with her friends, Evie feels like an outsider—and not because she lacks a royal title. Evie has a secret: She’s a witch.

Evie’s sense of estrangement only increases when she challenges Anna to a race, and Anna drowns in the rough ocean waves. Awash in grief, shame and uncertainty, there is nothing in the world Evie wants more than for her friend to be back beside her, breathing and alive.

Desire and delusion conspire so that when a mysterious girl shows up on Evie’s doorstep, looking very much like Anna and bearing the strikingly similar name of Annemette, Evie is convinced her friend has returned. Evie’s confidence cannot be shaken, even when she learns Annemette is a mermaid.

Annemette has just four days to gain a kiss of true love from Prince Nik, or she will dissolve back into the ocean like sea foam. Sounds familiar, right? But Annemette is not the pure-hearted Little Mermaid we know so well, and she is harboring secrets of her own.

Journalist Sarah Henning’s compulsively readable reimagining of The Little Mermaid is a cleverly plotted tale of love, loss and revenge. While familiarity with either Hans Christian Anderson’s original or the Disney adaptation will add layers of meaning and pleasure, you need not be a Little Mermaid fan to enjoy Sea Witch.

Journalist Sarah Henning’s compulsively readable reimagining of The Little Mermaid is a cleverly plotted tale of love, loss and revenge. While familiarity with either Hans Christian Anderson’s original or the Disney adaptation will add layers of meaning and pleasure, you need not be a Little Mermaid fan to enjoy Sea Witch.

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When facing the deep mysteries of life, many cling to beliefs they’ve acquired secondhand, but not Toaff, the precocious gray squirrel at the heart of Newbery Medalist Cynthia Voigt’s absorbing new novel, Toaff’s Way.

Why do dogs bark? Why do gray and red squirrels fear and hate one another? Brimming with questions and unbridled energy, Toaff bounds into the world to seek his answers firsthand. Whether Toaff is learning the language of dogs or delighting in the songs that human mothers sing to their babies, every day brings a new revelation. On his journey, Toaff learns that the fears that keep most of his peers huddled in their dens are largely illusory. Of course, Toaff’s insatiable curiosity lands him in some rather tight spots, and more often than not, it also makes an outcast of him. But in the end, his curiosity and genuine openness allow him to wiggle out of danger.

Both intriguing and enlightening, Voigt’s squirrel-eye view of the world shows us how even the most mundane things can be revelatory. A hymn to inquisitiveness, independent thinking and experiential learning in an age of “alternative facts” and “fake news,” Toaff’s Way should be required reading.

 

This article was originally published in the August 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

When facing the deep mysteries of life, many cling to beliefs they’ve acquired secondhand, but not Toaff, the precocious gray squirrel at the heart of Newbery Medalist Cynthia Voigt’s absorbing new novel, Toaff’s Way.

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In Driving by Starlight, Anat Deracine’s noteworthy debut, 16-year-old Leena is the top student in her Saudi Arabian high school, but with her father in jail for sedition and no money in the bank, her future looks bleak. Just when she thinks she’s found her ticket out—Saudi Arabia’s first-ever all-girls debate competition, with a grand prize of a full ride to college—Leena’s blacklisted from the debate team. Unable to escape her father’s shadow, Leena is crestfallen. Heartbreak follows heartbreak when Leena’s crush tricks her into betraying the confidence of her best friend, Mishail, and posts scandalous photos of Mishail online in an attempt to embarrass her high-level bureaucrat father. Realizing how much she and her friends need one another, Leena orchestrates an escape from Saudi Arabia for both Mishail and herself.

The Saudi Arabia of Driving by Starlight is a haunting land of morality police, hyper-surveillance and hypocrisy. Against this background, it is no surprise that social commentary threads throughout Deracine’s novel. It is one thing to document the desperation of the hard-pressed, but Deracine also captures the hope and joy that nourish Saudi people in desperate straits.

With a keen sense of drama and a gift for understated exposition, Deracine has blessed readers with an intriguing window into a part of the world most of us know very little about.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In Driving by Starlight, Anat Deracine’s noteworthy debut, 16-year-old Leena is the top student in her Saudi Arabian high school, but with her father in jail for sedition and no money in the bank, her future looks bleak. Just when she thinks she’s found her ticket out—Saudi Arabia’s first-ever all-girls debate competition, with a grand prize of a full ride to college—Leena’s blacklisted from the debate team. Unable to escape her father’s shadow, Leena is crestfallen. Heartbreak follows heartbreak when Leena’s crush tricks her into betraying the confidence of her best friend, Mishail, and posts scandalous photos of Mishail online in an attempt to embarrass her high-level bureaucrat father. Realizing how much she and her friends need one another, Leena orchestrates an escape from Saudi Arabia for both Mishail and herself.

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Rufus Holt lives in suburban Vermont, but his life is no ice-cream-and-pie suburban fantasy. It’s more of a nightmare. He’s gay in a small town, house-on-the-brink-of-foreclosure poor and the illegitimate son of a sociopathic lawyer hellbent on his demise. And that’s all before Rufus finds his half-sister passed out in her dead lover’s arms with a bloody butcher knife dangling from her sleepy grip.

Caleb Roehrig’s White Rabbit is a murder mystery set in a suburban enclave so twisted it’s almost dystopian. Rufus lives in a town where the cool kids aren’t just spoiled narcissists, they’re grade-A psychopaths. There are drug dealers, rapists and at least one murderer. While the more sordid details are left to the reader’s imagination, the plot of White Rabbit is violent and twisted enough for a Quentin Tarantino screenplay. But White Rabbit’s not all malice and malcontents. Woven throughout the mystery is the on-again, off-again love story of Rufus and his boyfriend, Sebastian—an endearing thread that highlights the drama of coming to understand and embrace one’s sexuality.

Though Roehrig’s plotting is tight and his handling of the love story deft, his ear for the modern vernacular may be his most subtle gift. In a book with a massive body count, his dialogue is dead on. Though too dark and violent for some, White Rabbit will certainly appeal to teen readers on the more mature end of the spectrum.

Rufus Holt lives in suburban Vermont, but his life is no ice-cream-and-pie suburban fantasy. It’s more of a nightmare. He’s gay in a small town, house-on-the-brink-of-foreclosure poor and the illegitimate son of a sociopathic lawyer hellbent on his demise. And that’s all before Rufus finds his half-sister passed out in her dead lover’s arms with a bloody butcher knife dangling from her sleepy grip.

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Take an experimental technology that allows comatose hospital patients to walk and talk again. Merge that with a virtual reality video game so life-like and addictive that grown men would rather wet themselves than log off. Throw in the most powerful corporation in the world. Have it manufacture an epidemic of “accidents” that creates a large population of unconscious patients to test the new technology upon. Add two teenagers and a blossoming love into the mix, and what do you have? Otherworld, the YA debut from the writing team of New York Times bestselling author Kristen Miller and actor, screenwriter, songwriter and author Jason Segel, perhaps best know for his acting in the acclaimed TV series “Freaks and Geeks” and “How I Met Your Mother.”

Mimicking the hybrid contours of our lives, which are increasingly lived online, Otherworld toggles between the world of social media, subdivisions and tech billionaires and the Otherworld, a virtual realm where our darkest desires rule—and murder and mayhem are just part of the game. Though this story provides ample thought candy for die-hard science and speculative fiction fans, Otherworld’s appeal is more than cerebral. Like the best dystopian fiction, the human element remains firmly enthroned at the center of the story, driving its action and adding depth and resonance to the questions it raises.

With its intriguing take on our tech-saturated world, its engaging love story and plenty of comic asides, Otherworld is a smart and thoroughly enjoyable novel.

Mimicking the hybrid contours of our lives, which are increasingly lived online, Otherworld toggles between the world of social media, subdivisions and tech billionaires and the <Otherworld, a virtual realm where our darkest desires rule—and murder and mayhem are just part of the game.

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In this true story of two teenagers from different sides of Oakland, California, and the bus ride that leaves one of them severely burned and the other facing criminal charges, award-winning journalist and author Dashka Slater chips away at the binaries that frame our understanding of the world.

No simple morality tale and far more than a legal thriller, The 57 Bus is a genre-bending book that reveals the tangled complexities of gender, race, crime and justice in modern-day America.

Sasha, a white genderqueer high school student, was wearing a skirt on the bus when Richard, a black student from a struggling neighborhood, set Sasha’s skirt on fire. The genre-bending story that follows is no simple morality tale, as it reveals the tangled complexities of gender, race, crime, justice and hope in America. Bird’s-eye views of Oakland and official statistics are spliced together with instant messages, social media posts and other primary sources. Emphasizing the interconnected nature of humanity, Slater reveals her characters and their web of relationships with deftness and fluidity.

The 57 Bus will be on year-end lists, but not for its technical accomplishments alone. It will be there because it does what all great books do—reveals our world to us anew.

ALSO IN BOOKPAGE: Read our Q&A with Dashka Slater about The 57 Bus.

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

In this true story of two teenagers from different sides of Oakland, California, and the bus ride that leaves one of them severely burned and the other facing criminal charges, award-winning journalist and author Dashka Slater chips away at the binaries that frame our understanding of the world.

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Transforming a well-known poem into a picture book is precarious work—even more so when you’re dealing with the words of an American icon. It seems an all but impossible task to ensure such a book would appeal to readers of all ages, but Miyares does just this with his reworking of Langston Hughes’ classic poem “Dream Variations,” first published in 1926.

With its eye-catching watercolors and picture book format, That Is My Dream! offers a new generation easy entrée to one of America’s seminal poets. But, as a work of recontextualization, That Is My Dream! speaks in a voice not wholly Hughes’ own. The words have not changed; the telltale rhythms and rhymes remain. But the tenor has shifted, if only subtly.

Though visually intriguing, Miyares’ deft brushwork presents a fairly conservative take on Hughes’ original. Rather than emphasizing resonances between Hughes’ dream of racial equality and acceptance and the dreams of modern-day minorities, Miyares draws the reader’s gaze backward toward historical oppressions—African-Americans forced to the back of a bus, relegated to “Colored Only” water fountains. Further, its presentation of a stereotypical family, headed by a man and woman, all but erases the original poem’s subtle nod toward living in the closet, a particularly interesting decision given the long-running debate around Hughes’ sexuality.

For all its political trepidation, That Is My Dream! is an engaging work, both verbally and visually. And, like Hughes’ best poems, it offers readers a glimpse into the heart of one whose dreams of equality and acceptance were deferred, time and time again.

Transforming a well-known poem into a picture book is precarious work—even more so when you’re dealing with the words of an American icon. It seems an all but impossible task to ensure such a book would appeal to readers of all ages, but Miyares does just this with his reworking of Langston Hughes’ classic poem “Dream Variations,” first published in 1926.

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On the surface, the protagonists of Alan Gratz’s Refugee have little in common. They live in different eras, different countries, and practice different religions. Yet when they are forced to flee their homes, they all become refugees.

Geared toward young readers but fast-paced and honest enough to keep young adults engaged, Gratz’s insightful novel offers little calm before the storm. Barely on the cusp of adolescence, our protagonists’ worlds are already crumbling at their feet. When a bomb destroys Mahmoud’s home in modern-day Syria, the crumbling is both literal and figurative. With no place to stay, his family embarks on a journey out of the Middle East and across Europe. For Josef, a youth in 1939, it is the rise of Nazism and the horrors of Dachau that shatter his preconceptions and force his family out of their home country. For Isabel, change comes when her family decides to flee the destitution of Castro’s Cuba for the promise of American shores, braving the 90 miles of treacherous sea between Havana and Miami in a makeshift boat.

A heart-wrenching escape story, a coming-of-age tale, a treatise on the hopes and traumas of refugees the world over—with the civil war in Syria still raging and immigration a hot-button issue across the world, Refugee could not be more timely.

 

ALSO IN BOOKPAGE: Read our Q&A with Alan Gratz for Refugee.

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

On the surface, the protagonists of Alan Gratz’s Refugee have little in common. They live in different eras, different countries, and practice different religions. Yet when they are forced to flee their homes, they all become refugees.

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The Unexpected Life of Oliver Cromwell Pitts by Newbery Medal winner Avi follows a few exceptionally bad days in the life of Oliver Cromwell Pitts, a bright, cheery, fleet-footed 12-year-old beset on all sides.

From the first pages it’s clear that the world has conspired against Oliver. His mother died when he was a small child, leaving him in the care of his wholly negligent father, who has abandoned him without a shilling to his name and no indication of when he may return. With his father away, the local religious and government authorities—all of whom are scoundrels, thieves or cheats—take it upon themselves to ensure Oliver is locked away in the poorhouse. And all this occurs before Oliver becomes entangled in an armed robbery and indebted to the most notorious criminal in all of England.

Given the sheer number of nefarious characters Oliver encounters, the story never lags. But after 300 pages of one enemy materializing after another, of one narrow escape following upon the next, the incessant drama begins to feel excessive. Despite an overabundance of external conflict, The Unexpected Life of Oliver Cromwell Pitts as a whole succeeds due to Avi’s authorial prowess. His nimble turns of phrase, his lean yet heavily descriptive prose and, perhaps most centrally, the inimitable voice he has crafted for his narrator save this novel from a fate as bleak as its protagonist’s.

The Unexpected Life of Oliver Cromwell Pitts by Newbery Medal winner Avi follows a few exceptionally bad days in the life of Oliver Cromwell Pitts, a bright, cheery, fleet-footed 12-year-old beset on all sides.

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BookPage Children’s Top Pick, May 2017

Clayton Byrd is a bluesman. Despite his young age—and the fact that he can’t quite get those blue notes to wail like his grandfather and best friend, Cool Papa Byrd, can—he knows he’s a bluesman. He can feel it deep down in the pit of his stomach.

And like a true bluesman, when his grandfather dies, Clayton turns to music for solace. One problem: His mother has hidden his harmonica because he keeps falling asleep in class. Faced with the loss of his grandfather and a mother whose pain blinds her to his needs, Clayton recovers his harmonica and takes a note out of Cool Papa’s songbook—he hits the road.

But on his way to join up with Cool Papa’s backing band, the Bluesmen, Clayton runs into a pack of wayward youths who spend their days on the subway, dodging the police and dancing for spare change. Drawn by the beat-boxed rhythms that accompany their dance, Clayton adds his harmonica melody to the mix and quickly finds himself embroiled in their less-than-sunny subterranean world.

When his plan to join the Bluesmen goes bust and he finds himself holed up in a police station, waiting for his mother to pick him up, Clayton begins to grasp the desperation and despondency that births the blues anew in each generation.

In Clayton Byrd Goes Underground, three-time Coretta Scott King Medal winner Rita Williams-Garcia has crafted an endearing family drama with all the wit, wisdom and resonance of the best blues songs.

 

This article was originally published in the May 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Clayton Byrd is a bluesman. Despite his young age—and the fact that he can’t quite get those blue notes to wail like his grandfather and best friend, Cool Papa Byrd, can—he knows he’s a bluesman. He can feel it deep down in the pit of his stomach.

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