John T. Slania

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Poet Carl Sandburg described Chicago as “course and strong and cunning.” Novelist Nelson Algren characterized Chicago as a “city on the make.”

Author Dean Jobb cements Chicago’s gritty reputation in Empire of Deception. Not since Erik Larson’s The Devil in the White City  has an author so eloquently captured the shadowy character of the city. Jobb tells the true story of Leo Koretz, a silver-tongued attorney from the Roaring ’20s who swindled Chicagoans, Bernie Madoff-style, through a get-rich-quick investment scheme. In an era when Al Capone made his money through liquor, gambling and violent retribution, Koretz made his fortune in more subtle ways: carefully cultivating Chicago’s rich and famous.

After wining and dining his wealthy clientele, he sold them shares in a phony venture to extract timber and oil in the jungles of Panama. In reality, Koretz was running a Ponzi scheme: using the money from new investors to pay off earlier investors.

Once discovered, Koretz disappeared, only to be caught a year later by a man of equal ambition: Robert Crowe, a Chicago prosecutor hell-bent on law and order and making a name for himself. Jobb does a masterful turn chronicling the parallel career arcs of Koretz and Crowe.

Empire of Deception does a remarkable job of capturing the essence of Chicago in the 1920s, a town filled with hustlers and hucksters, lawless gangsters and corrupt politicians. At once informative and entertaining, the fast-moving narrative tells an age-old story about our capacity to be conned.

Poet Carl Sandburg described Chicago as “course and strong and cunning.” Novelist Nelson Algren characterized Chicago as a “city on the make.”Author Dean Jobb cements Chicago’s gritty reputation in Empire of Deception.
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Ronald Reagan is trending. Everyone from Ted Cruz to Barack Obama sings his praises. Why is Reagan so popular? Was it his movie-star looks? His cowboy swagger? His “America first” doctrine? H.W. Brands covers it all in his thorough biography, Reagan.

Don’t look for any new ground to be broken here. But if you admire the 40th president as much as many politicians do, you’ll enjoy Brands’ telling of familiar stories.

The author takes us on a journey from Reagan’s boyhood home in Dixon, Illinois, to Hollywood, where he became a reliable B-movie actor. Reagan got his footing in politics as president of the Screen Actors Guild, where he cooperated with the FBI during the Red Scare. During his two-term presidency, he was credited with being tough on Russia and cutting the size of the federal government.

Brands, who has written five previous presidential biographies, argues that Reagan rivals FDR as the greatest president of the 20th century. While his detailed biography is thorough, there is a shortage of arguments to help Brands make his case. Reagan’s two terms in office ended in 1989, and there is a longing for Brands to add perspective in a postscript. Having had 25 years to ponder, surely this accomplished writer could help us understand why Reagan remains so beloved.

No matter. Despite its flaws, there’s little doubt this book will be as popular as the former president.

 

CORRECTION: This review has been updated to reflect the fact that Reagan left office in 1989.

This article was originally published in the May 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ronald Reagan is trending. Everyone from Ted Cruz to Barack Obama sings his praises. Why is Reagan so popular? Was it his movie-star looks? His cowboy swagger? His “America first” doctrine? H.W. Brands covers it all in his thorough biography, Reagan.
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The tactics may have changed, but the intent remains the same: North Korea is a mysterious, insular country that above all loathes the United States. Today, North Korean leader Kim Jong-un retains his tight grip on power through imprisonment and purges. His threats against the United States include missile testing and computer hacking. But Kim’s modern-day machinations simply mirror the early actions of his grandfather, Kim Il-Sung, who took control of North Korea following World War II and established the Kim family dynasty. Blaine Harden’s new book, The Great Leader and the Fighter Pilot, describes the formation of that dynasty and offers one explanation for why North Korea hates the U.S.

Part of that hatred lies with the fighter pilot referenced in the book’s title. On September 21, 1953, North Korean fighter pilot No Kum Sok flew a Soviet MiG-15 out of his country, landing it in the hands of Americans based in South Korea. No became an instant celebrity, not only for his defection, but also for delivering a MiG-15 to the U.S. military, which set about studying its design and technology. In fact, the Pentagon was so anxious to get its hands on a MiG-15, it had earlier offered a $100,000 bounty to anyone who delivered a plane. No collected the reward. But to this day, No, an octogenarian living in Florida, claims he had no knowledge of the reward when he defected.

As for the “Great Leader” Kim Il-Sung, embarrassment over the defection and the U.S. carpet-bombing of North Korea during the Korean War fueled a hatred for America that continues today.

If you are intrigued by the enigma that is North Korea, a reading of The Great Leader and the Fighter Pilot will supply valuable explanation and context for why its current leader behaves so badly.

The tactics may have changed, but the intent remains the same: North Korea is a mysterious, insular country that above all loathes the United States. Today, North Korean leader Kim Jong-un retains his tight grip on power through imprisonment and purges. His threats against the United States include missile testing and computer hacking. But Kim’s modern-day machinations simply mirror the early actions of his grandfather, Kim Il-Sung, who took control of North Korea following World War II and established the Kim family dynasty. Blaine Harden’s new book, The Great Leader and the Fighter Pilot, describes the formation of that dynasty and offers one explanation for why North Korea hates the U.S.
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The buzzer blared from the door of the Isabella Stewart Gardner Museum in Boston. The night watchman peered into the grainy video monitor and saw two men in police uniforms. The men persuaded the watchman to open the door. Once inside, the men bound and gagged the watchman and a fellow security guard and made off with $500 million in stolen art. Among the 13 masterpieces taken in the March 18, 1990, heist were Rembrandt’s The Storm on the Sea of Galilee and Vermeer’s The Concert.

Thus begins Stephen Kurkjian’s Master Thieves, a tale of one of the most brazen and expensive art thefts in history, still unsolved.

Kurkjian, an investigative reporter and three-time Pulitzer Prize winner, pens the book like a mystery novel, examining the scenarios that the FBI has considered over the years. Was the Gardner Museum heist the work of organized crime or low-level thugs? Was it an inside job? Why was security so lax? Is the stolen art hidden in a backwater warehouse or a shed in the woods? Kurkjian explores all the possibilities and comes up with a plausible new theory of his own.

Master Thieves is a fast-paced book that will appeal to all those who enjoy art, mysteries and true crime. It’s a story that proves the adage: Truth is stranger than fiction.

 

This article was originally published in the March 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

The buzzer blared from the door of the Isabella Stewart Gardner Museum in Boston. The night watchman peered into the grainy video monitor and saw two men in police uniforms. The men persuaded the watchman to open the door. Once inside, the men bound and gagged the watchman and a fellow security guard and made off with $500 million in stolen art. Among the 13 masterpieces taken in the March 18, 1990, heist were Rembrandt’s The Storm on the Sea of Galilee and Vermeer’s The Concert.
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Thomas “Stonewall” Jackson is such an iconic military figure that he is legendary to Civil War scholars and schoolchildren alike. So it’s hard to imagine an author breaking new ground with another Jackson biography. But S.C. Gwynne does just that in Rebel Yell, which deserves comparisons to Shelby Foote’s three-volume The Civil War for its depth of knowledge and graceful narrative. Gwynne, a 2011 Pulitzer Prize finalist for Empire of the Summer Moon, casts Jackson as a human being, not as a bronze figure towering over a battlefield. Readers will come away from Rebel Yell with an understanding of the man that goes beyond his military exploits.

Gwynne is obligated to cover familiar territory, as when Thomas Jackson earned his nickname by standing his ground against superior Union forces at the First Battle of Manassas. A fellow Confederate general shouted, “Yonder stands Jackson like a stone wall,” and the rest, as they say, is history.

Jackson’s military prowess is impressive, but it is glimpses of Stonewall off the battlefield that are more fascinating. We learn that Jackson was a complex character with any number of quirks and tics. He was deeply religious and placed his fate in the hands of God. Thus, while he lived by the Sixth Commandment, “Thou shalt not kill,” once the South declared war, he pledged his loyalty and felt that any death he caused was God’s will. Formerly a professor at the Virginia Military Institute, Jackson was introverted and soft-spoken, yet in the heat of battle, his eyes became fiery and his demeanor decisive as he barked out orders. He was consumed by his health, and a bad stomach propelled him to a diet of stale bread and buttermilk. Despite these peculiarities, Jackson rose to become one of the South’s fiercest and most beloved generals, so relied upon that his early death left Confederates wondering whether the war’s outcome might have been different if he had survived.

Gwynne’s masterful storytelling makes Rebel Yell an absorbing choice for general readers and Civil War buffs alike.

 

This article was originally published in the October 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Thomas “Stonewall” Jackson is such an iconic military figure that he is legendary to Civil War scholars and schoolchildren alike. So it’s hard to imagine an author breaking new ground with another Jackson biography. But S.C. Gwynne does just that in Rebel Yell, which deserves comparisons to Shelby Foote’s three-volume The Civil War for its depth of knowledge and graceful narrative. Gwynne, a 2011 Pulitzer Prize finalist for Empire of the Summer Moon, casts Jackson as a human being, not as a bronze figure towering over a battlefield. Readers will come away from Rebel Yell with an understanding of the man that goes beyond his military exploits.
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Ramita Navai sets it straight from the beginning: “In order to live in Tehran, you have to lie,” she writes in City of Lies, a gripping portrait of life inside Iran. “Lying in Tehran is about survival.”

The country’s oppressive religious and political atmosphere forces its citizens to lie about issues large and small, lest they face prison or death. Iranians are accustomed to lying about using alcohol and drugs, having sex outside of marriage and about their devotion to God. “The lies,” Navai writes, “are a consequence of . . . being ruled by a government that believes it should be able to interfere in even the most intimate affairs of its citizens.”

Navai spent her childhood in Tehran, but her family left for London when the Shah of Iran was overthrown during the Islamic Revolution. She returns 26 years later to reconnect with her homeland and launch her career as a journalist.

The book is not one of broad brushstrokes. It is a collection of smaller stories of individuals struggling with their lies while trying to discover the truth about themselves. There is Dariush, a revolutionary bent on assassinating a government official, only to encounter disastrous results. There is Somayeh, a young girl who must remain religiously devout, subservient and cloaked in hijab, while her newlywed husband drinks and carouses. Or Leyla, who bucks convention and becomes a prostitute and porn star, resulting in a death sentence.

The stories are real. But they are written in a lively style that reads like a novel. Navai is impressive as a reporter, finding these characters and convincing them to share their stories. She also is an eloquent writer who uses her subjects to tell the larger tale of the degradation of the Iranian culture.

 

This article was originally published in the September 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ramita Navai sets it straight from the beginning: “In order to live in Tehran, you have to lie,” she writes in City of Lies, a gripping portrait of life inside Iran. “Lying in Tehran is about survival.”
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Journalists typically don’t like to write about themselves. It comes from years of writing in the third person and striving for objectivity. And with so many critics of the press, reporters assume no one likes them. Robert Timberg grapples with this issue in his moving memoir, Blue-Eyed Boy. After nearly 40 years as a journalist and three noteworthy books, perhaps he has a story to tell. But he also has self-doubts. Then he looks in the mirror and sees his disfigured face. It is an image he has been trying to forget since 1967, when as a young soldier in Vietnam, just days away from the end of his tour, he suffered third-degree burns from a land mine explosion. He finally decides to confront this defining moment of his life. “I want to remember how I decided not to die,” he writes. “To not let my future die.”

Journalism is a seductive profession. Each day is a new story. There is fame and notoriety. And it’s easy to lose oneself during long hours in the newsroom. Timberg did just that during a long stint at The Baltimore Sun. He wrote about the Iran-Contra Affair, penned books about Oliver North and John McCain, and destroyed two marriages along the way. He was able to forget about his disfigurement. Then in retirement, he had time to reflect. This was the catalyst for his fast-moving, crisply written memoir.

In Blue-Eyed Boy, Timberg at long last examines the physical and emotional pain he experienced, and how it shaped his life. He realizes that it motivated him to be the best at his profession. He also understands how his singular drive hurt some people along the way. Blue-Eyed Boy is a fascinating look at how a tragedy that would make most men crumble instead drove the author to survive, and on many levels, succeed.

 

This article was originally published in the August 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Journalists typically don’t like to write about themselves. It comes from years of writing in the third person and striving for objectivity. And with so many critics of the press, reporters assume no one likes them. Robert Timberg grapples with this issue in his moving memoir, Blue-Eyed Boy. After nearly 40 years as a journalist and three noteworthy books, perhaps he has a story to tell. But he also has self-doubts. Then he looks in the mirror and sees his disfigured face. It is an image he has been trying to forget since 1967, when as a young soldier in Vietnam, just days away from the end of his tour, he suffered third-degree burns from a land mine explosion. He finally decides to confront this defining moment of his life. “I want to remember how I decided not to die,” he writes. “To not let my future die.”
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French sculptor Frédéric Auguste Bartholdi is best characterized by the following passage: “He was an egoist in human affairs; a humble man in the scale of the cosmos.” This elegant writing comes from Elizabeth Mitchell in Liberty’s Torch, the tale of how Bartholdi proposed the creation of the Statue of Liberty and spent much of his life making it happen. He knew that the statue’s completion would bring him fame. But he also knew that it would become a lasting symbol of what America represents: freedom and opportunity.

Liberty’s Torch challenges many of the myths surrounding the neoclassical statue. Legend has it that France donated the statue to the United States in 1886 as a gesture of respect to a longtime ally. In reality, Mitchell writes, the Statue of Liberty was the brainchild of Bartholdi, who had to sell both countries on the idea. His biggest challenge came in raising funds, which took 15 years. He staged shows and exhibitions of the statue’s renderings and models, while also encouraging Americans to donate their pennies.

Liberty’s Torch gets behind the regal facade of the Statue of Liberty to show that an iconic figure of freedom grew out of the inspiration and hustle of a single man, someone who longed to be honored during his life and to be remembered through the ages.

 

This article was originally published in the July 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

French sculptor Frédéric Auguste Bartholdi is best characterized by the following passage: “He was an egoist in human affairs; a humble man in the scale of the cosmos.” This elegant writing comes from Elizabeth Mitchell in Liberty’s Torch, the tale of how Bartholdi proposed the creation of the Statue of Liberty and spent much of his life making it happen. He knew that the statue’s completion would bring him fame. But he also knew that it would become a lasting symbol of what America represents: freedom and opportunity.
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Who said the Cold War is dead? The United States and Russia are at odds over Ukraine. Putin thinks Obama is a wimp. And Russia harbors Edward Snowden after he leaks American spy secrets. What great timing for the real-life Cold War thriller, The Zhivago Affair: The Kremlin, the CIA, and the Battle Over a Forbidden Book.

This cloak-and-dagger account reveals the intriguing details of how the novel Doctor Zhivago came to be published during the height of the Cold War. Written by Russian poet Boris Pasternak, Doctor Zhivago was kept under wraps by its author, who feared retribution from the Soviet government for the book’s critical portrayal of the 1917 Russian Revolution and its tepid treatment of socialism. After the novel was published in Italy in 1957, it became a bestseller, capturing the Nobel Prize for Literature and later inspiring an Oscar-winning film adaptation. But how Doctor Zhivago became an international sensation is almost as complex as the tortured love affair between protagonist Dr. Yuri Zhivago and his beloved Lara.

Pasternak’s novel was smuggled out of Russia by an Italian publishing scout who was entrusted with the manuscript. Pasternak’s simple instructions: “This is Doctor Zhivago. May it make its way around the world.”

The smuggling was only the start of the intrigue. After the novel was published in Italian, the CIA saw Doctor Zhivago as a tool to spread dissent within Russia. So the CIA published copies of Doctor Zhivago in Russian and had them smuggled back into the Soviet Union. The release of Doctor Zhivago within Russia not only intensified Cold War tensions, it put Pasternak’s life at risk. He was expelled from the Union of Soviet Writers and subjected to KBG harassment until his death in 1960.

The Zhivago Affair is a well-crafted work with the kind of eloquent writing that makes it read like a spy novel. Co-author Peter Finn, national security editor of the Washington Post and a former Moscow bureau chief, has written extensively about Snowden and the NSA, which helps bring insight and perspective to The Zhivago Affair. Petra Couvée, a writer, translator and teacher at Saint Petersburg State University, brings her vast knowledge of Russian language, history and culture. Together, the two have produced a book rich in nuance and detail about international politics and the surprising ways in which the words of one author can enlighten the world.

This cloak-and-dagger account reveals the intriguing details of how the novel Doctor Zhivago came to be published during the height of the Cold War. Written by Russian poet Boris Pasternak, Doctor Zhivago was kept under wraps by its author, who feared retribution from the Soviet government for the book’s critical portrayal of the 1917 Russian Revolution and its tepid treatment of socialism.
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Contemporary views of the Mormon Church have been shaped by influences as disparate as the Broadway hit The Book of Mormon, the HBO series “Big Love” and the presidential campaign of Mitt Romney. Suffice it to say that most Americans have a shallow understanding of Mormonism. Some view Mormons as squeaky-clean apostles doing door-to-door missionary work. Others label Mormons as hedonistic polygamists, even though multiple marriages have been prohibited for more than a century by the official Mormon Church, The Church of Jesus Christ of Latter-day Saints. Journalist Alex Beam tries to provide some context in his historical narrative, American Crucifixion: The Murder of Joseph Smith and the Fate of the Mormon Church. The book doesn’t try to correct the stereotypes of contemporary society. Rather, American Crucifixion explains the origins of Mormonism and shows that from the start, the faith was viewed with suspicion and hounded by detractors.

Beam tells the story of Joseph Smith, a humble farm boy from upstate New York who said an angel had told him about a set of golden plates bearing the religious history of America. Smith said the angel directed him to the buried plates, and he set about translating them into the Book of Mormon, which was published in 1830. The 600-page book was a retelling of the Bible, including a story of two ancient tribes of Israel that made their way to America and buried the golden plates in the hope of future discovery. After claiming to find the plates, Smith declared himself a prophet and founded the Church of Christ.

Critics immediately lashed out at Smith and his new religion, and the Mormons were repeatedly ostracized and uprooted, marching westward to Ohio and later to Missouri. Mormonism became even more controversial when Smith started accumulating multiple wives and polygamy became an accepted part of the faith.

It was in the Mississippi River town of Nauvoo, Illinois, that tensions reached a crescendo. Upset with Smith’s polygamy policy and his building of a temple, locals imprisoned him in neighboring Carthage, Illinois. Beam gives a vivid description of the events of June 27, 1844, when a mob stormed the jail, killing Smith and his brother, Hyrum, his would-be successor. It was church leader Brigham Young who assumed control, leading the Mormons once again westward to Utah.

American Crucifixion details the mystery and controversy that has followed Mormonism from its inception. The book provides important perspective as to why today, some still violently reject its doctrine, while others follow with faith.

 

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Contemporary views of the Mormon Church have been shaped by influences as disparate as the Broadway hit The Book of Mormon, the HBO series “Big Love” and the presidential campaign of Mitt Romney. Suffice it to say that most Americans have a shallow understanding of Mormonism. Some view Mormons as squeaky-clean apostles doing door-to-door missionary work. Others label Mormons as hedonistic polygamists, even though multiple marriages have been prohibited for more than a century by the official Mormon Church, The Church of Jesus Christ of Latter-day Saints.

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BookPage Nonfiction Top Pick, March 2014

Walter Kirn has penned a number of imaginative novels, including Up in the Air and Thumbsucker, which were both made into movies. But nothing in the pages of those books could match the bizarre, real-life experiences Kirn relates in his new memoir, Blood Will Out.

Here is the Hollywood elevator pitch: Kirn befriends a con artist who passes himself off as an aristocrat, but turns out to be a murderer. Over a 15-year friendship, Kirn discovers he has more in common with this charlatan than he cares to acknowledge. Thus, Blood Will Out is as much a psychological thriller as it is a true crime tale.

The story is full of surprises and strange twists from the beginning, where we find Kirn a promising young author living in Montana with his very young wife, Maggie. He is 34; she is 19. She also happens to be the daughter of actress Margot Kidder and novelist Thomas McGuane. Kirn is struggling as a writer, popping Ritalin to complete a project, then Ambien to induce sleep. Maggie is pregnant and working in an animal shelter. A disabled shelter dog is in need of a home, and a man identifying himself as Clark Rockefeller agrees to the adoption and will pay a generous fee to the person who delivers the crippled canine to New York City. So Kirn seizes the opportunity to drive the dog, incontinent and confined to a wheelchair, to meet this supposed scion of the wealthy East Coast family.

Charmed by this dilettante, Kirn ignores all the warning signs throughout more than a decade of correspondence, phone calls and visits with Clark Rockefeller, who turns out to be Christian Karl Gerhartsreiter, a German immigrant wanted in the murder of a California man and the disappearance of his wife.

On one level, Blood Will Out is a murder mystery. But Kirn drills deeper, channeling his inner Fitzgerald to probe his own psyche. Kirn likens himself to a modern-day Nick Carraway, with Clark Rockefeller a later-day Jay Gatsby, who passes himself off as wealthy and erudite. Then Kirn wonders whether he is any better. Like Fitzgerald, Kirn was a naïve boy from Minnesota who ended up at Princeton. There, he developed an edgy persona, fueled by drugs and alcohol, to gain popularity as a writer, becoming a con man in his own way.

Blood Will Out is equally dark, edgy, humorous and philosophical. Ultimately, it is a book that proves truth is stranger than fiction.

BookPage Nonfiction Top Pick, March 2014

Walter Kirn has penned a number of imaginative novels, including Up in the Air and Thumbsucker, which were both made into movies. But nothing in the pages of those books could match the bizarre, real-life experiences Kirn relates in his new memoir, Blood Will Out.

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David R. Dow has spent his life dealing with death. He is an attorney who specializes in death penalty issues as a professor at the University of Houston Law Center. He also founded the Texas Innocence Network, which has represented more than 100 death row inmates. Dow picked a good place to practice: Texas has long been the top state for executions.

When you spend your time filing court appeals and clemency petitions for death row inmates—and almost always losing—you learn to embrace life. Things I’ve Learned From Dying, Dow’s latest book, is a guidebook for living life to the fullest. Dow likes to drink, smoke cigars and kayak when the Gulf Coast waves kick up in Galveston. He also embraces the love of his wife, Katya, his son, Lincoln, and their dog, Winona.

Witnessing the execution of a steady stream of clients also has a way of hardening you to death, Dow writes. But the author’s perspective on death suddenly changes when his father-in-law, Peter, is diagnosed with cancer. Meanwhile, Winona, a dog that has been at Dow’s side for almost 13 years, suddenly becomes ill. At the same time, Dow is filing appeals to stop the execution of Eddie Waterman, who was convicted of shooting a man during a home burglary.

Dow lends his perspective on these three lives, and death suddenly evolves from being purely professional to profoundly personal. Dow is fond of his father-in-law, Peter, with whom he has spent countless hours kayaking and hiking. And the sorrow experienced by Dow’s wife makes Peter’s deteriorating condition even more painful. Dow admits that Winona’s declining health is even more heart-wrenching because she has always been at his side, and she is protective of his son. The sadness experienced by 8-year-old Lincoln makes Winona’s downslide more difficult. Conversely, Dow feels little sympathy toward the death row inmate. Ironically, the convict’s fate is the only one that Dow has any opportunity to change.

Things I’ve Learned From Dying would seem like a depressing book to read. But Dow’s sardonic, yet humorous writing softens the edges. And Dow is a gifted author, writing in short, staccato sentences that keep the prose moving with rhythm and pace. Indeed, Things I’ve Learned From Dying really is a book about life, and how one man who deals with death learns to appreciate living.

David R. Dow has spent his life dealing with death. He is an attorney who specializes in death penalty issues as a professor at the University of Houston Law Center. He also founded the Texas Innocence Network, which has represented more than 100 death row inmates. Dow picked a good place to practice: Texas has […]
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David Laskin’s family experienced the most important events of the 20th century: the Russian Revolution; World War I; the Great Depression; the Holocaust; World War II. But this Zelig-like existence was unknown to Laskin for years, as he grew up in a bucolic suburb of New York City, graduated from Harvard and went on to become an accomplished author. It wasn’t until he began to probe the history of his family that he discovered its remarkable background. These discoveries became the basis for his fascinating new book, The Family: Three Journeys into the Heart of the Twentieth Century.

Early on in The Family, Laskin establishes the premise with this simple, elegant sentence: “History made and broke my family in the twentieth century.” Consider what three separate branches of his mother’s family experienced: One branch emigrated from Russia to the U.S. and went on to build a fortune by creating the Maidenform brassiere. Another branch found its way to the Middle East, where it was part of the establishment of Israel. The third branch remained in Europe and suffered through two world wars and the Holocaust.

Laskin is honest about his place of privilege and how he once ignored his Judaism and his family history: “I forgot the Hebrew that had been drummed into me. I belonged to Greenwich Village, London, Paris, Rome, maybe James Joyce’s Dublin—certainly not to Jerusalem, Vilna, Minsk.” But on a whim he started corresponding with distant relatives and began to learn about the astounding evolution of his family. The success that the American branch experienced in creating the Maidenform bra is poignantly contrasted with the struggles of the Israeli branch in helping to establish a new country. But even more gripping is the pain felt by family members who remained in Russia, enduring the horrors of both Hitler’s Final Solution and Stalin’s purges.

The Family is a thoroughly researched, deftly written book that will help readers appreciate the struggles and successes of Jews as they sought safe harbors and places to call home during the 20th-century diaspora. It is a journey worth taking to see an educated and talented author come to appreciate how his ancestors helped him to find his home in the 21st century.

David Laskin’s family experienced the most important events of the 20th century: the Russian Revolution; World War I; the Great Depression; the Holocaust; World War II. But this Zelig-like existence was unknown to Laskin for years, as he grew up in a bucolic suburb of New York City, graduated from Harvard and went on to […]

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