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Henry L. Carrigan Jr.

NonfictionMemoirHistory

South to America

Review by Henry L. Carrigan Jr.

Historian Imani Perry (Looking for Lorraine) reaches new storytelling heights in the vibrant and compelling South to America: A Journey Below the Mason-Dixon to Understand the Soul of a Nation. In this unique blend of travelogue, memoir and cultural history, the Birmingham, Alabama, native traverses the wilderness of Appalachia, the rolling hills of Virginia, the urban corridors of Atlanta and the swampy vistas of Louisiana to explore the idiosyncrasies of the South. The book’s three sections are organized geographically, beginning with “Origin Stories” about where the South and America began and then moving deeper into the country, from “The Solidified South” in the heart of the Southeast to the “Water People” of Florida, New Orleans and the Gulf Coast of Alabama.

In striking prose, Perry testifies to the insidiousness of racism throughout the South and throughout history. In Wilmington, North Carolina, for example, she revisits the Wilmington race riot of 1898, in which an all-white group of Democrats overturned the town’s multiracial Republican government in a violent coup. Before the riot, “Wilmington was an integrated city in which Black people thrived,” Perry writes. “The deeds of the rioters in Wilmington were illegal. But they went unpunished because the de-facto law of the land had always been the respect of White grievance and the destruction of Black flourishing.” 

As she zooms in on the South to show its complexities in more vivid detail, Perry takes time to observe the South’s continued enactment of political and business policies that fortify segregation, poverty and racism. For example, Atlanta is often presented to the world as a shining example of racial equality and justice. It’s a city that is over 50% Black, “but the unbearable Whiteness of its being—by that I mean a very old social order grown up from plantation economies into global corporations—leaves most Black Americans vulnerable,” Perry writes.

Given that the South is still the region where the majority of Black Americans live, the question Perry asks herself is “not why did Black folks leave, but why did they stay?” The answer, she says, is that it’s home. “If everyone had departed, no one would have been left to tend the ancestors’ graves,” she writes. “Had these graves not been seen, daily, over generations, had we not been witnesses to them, I do not know how it would have been possible to sustain hope, or at least pretend to.”

South to America, in the words of the traditional spiritual, troubles the waters, calling readers to understand the complex history of race and racism in the South in order to better comprehend the true character of America.

In a vibrant blend of travelogue, memoir and cultural history, Imani Perry zooms in on the South to show its iniquity and beauty in vivid detail.
NonfictionMemoir

High-Risk Homosexual

Review by Henry L. Carrigan Jr.

Growing up in Florida, with roots in Puerto Rico and Nicaragua, Edgar Gomez was confronted very early in his life by a culture of machismo—a glorified, aggressive masculine pride. Within such a culture, “men must marry, spawn children, and head their households.” If it weren’t for his queerness, Gomez writes, “which made many of the benefits awarded to men who uphold machismo unappealing, I would have likely accepted them without question.” With alternating notes of gut-wrenching emotion and humor, High-Risk Homosexual chronicles not only Gomez’s coming-of-age and coming out, but also his choppy navigation of a culture and family that refused to accept him.

Much of Gomez’s memoir recounts his struggles to find guides to help him growing up, gay and Latinx in a world that often violently rejected gay men. His mother and stepfather couldn’t live with the thought that Gomez was gay. His uncles tried to “reform” him by setting him up with a woman one night after a cockfight. Along the way, Gomez found solace in conversations with trans women in Nicaragua, with people in the Castro District in San Francisco and with drag queens at gay clubs in Miami and Orlando—including at Pulse, before the shootings that killed 49 people and wounded 53.

It was when he visited his college health clinic that he was dubbed a “high-risk homosexual” for sleeping with more than two sexual partners a week—a label he knew would not be applied to people who had a similar number of opposite-sex partners per week—and given pills to mitigate HIV. When he learned that taking the pills might be more dangerous than the disease, he dumped them down the toilet and vowed to “live a life that acknowledges [AIDS] as a possible outcome.” Gomez concludes that “what you do when you’re not afraid anymore is the same thing you do when you are: keep going.”

In High-Risk Homosexual, Gomez’s incandescent prose flickers with an intensity that illuminates his insecurities, his disappointments and his courage.

Edgar Gomez’s incandescent prose flickers with an intensity that illuminates his insecurities, his disappointments and his courage.
NonfictionMusicBiography

Citizen Cash

Review by Henry L. Carrigan Jr.

Johnny Cash is remembered for his familiar greeting (“Hello, I’m Johnny Cash”), his booming bass-baritone voice and his signature chugging guitar lines. Many of his songs delve into his experiences with addiction, such as “I Walk the Line,” and his tempestuous love affairs, such as “Jackson”—but many of his most famous songs also demonstrate Cash’s close attention to poverty and marginalization, like “Man in Black” and “Folsom Prison Blues.” Michael Stewart Foley’s Citizen Cash: The Political Life and Times of Johnny Cash offers a broader glimpse of this aspect of Cash’s music.

Drawing on untapped archives, Foley explores Cash’s life and music, illustrating how Cash’s impoverished childhood in rural Arkansas, where he witnessed brutal acts of racism and injustice, led to what Foley calls a “politics of empathy.” Foley writes that Cash “came to his political positions based on his personal experience, often guided by his own emotional and visceral responses to issues.” Foley traces the development of Cash’s politics over the course of his musical career, from Cash’s Sun Records days to his final recordings with producer Rick Rubin in the early 2000s. Foley also closely focuses on “The Johnny Cash Show,” and especially the closing segment of the show called “Ride This Train,” to illustrate the ways that Cash invited guest musicians such as Odetta and Stevie Wonder onto the show to break down racial barriers and confront American society’s tendency to divide rather than unite. Foley points out that Cash’s “empathy was not so much rooted in solidarity as it was based on witnessing: documenting sorrows and struggles, making it possible for . . . the subjugated, the exploited, the marginalized to be seen.”

Citizen Cash usefully combines biographical detail and cultural analysis with music history to provide an in-depth portrait of the ways Cash acquired his political and social ideas and wove them into the fabric of his music.

With unique depth, Citizen Cash combines biography, cultural analysis and music history to examine Johnny Cash’s political and social ideas.
NonfictionMusicMemoirBiography

Their stars still shine

Feature by Henry L. Carrigan Jr.

As Pete Seeger reminds us in his now-iconic ballad, “Turn, Turn, Turn,” there’s a season for everything. This fall is the season for a cavalcade of music memoirs and biographies, books that will make music lovers weep, laugh and sing.

IT'S ONLY ROCK AND ROLL
This year the Rolling Stones will gather no moss but rake in the coin, as no fewer than four new books celebrate the band’s 50th anniversary. In music critic Philip Norman’s admiring and adoring biography of rock’s legendary bad boy, Mick Jagger, we meet the entire cast of characters who’ve feasted at the Stones’ banquet over the years—from Marianne Faithfull and Brian Jones to Jagger’s first girlfriend, Chrissie Shrimpton, Ronnie Wood and many others. At the center of it all is the canny middle-class Jagger, who carefully controlled and orchestrated his rebellious image to distinguish himself and the band from the well-scrubbed lads from Liverpool. Gathering interviews from everyone in Jagger’s life except Jagger himself, Norman takes us for a revealing walk down the moonlight mile of Jagger’s life, from his youthful embrace of the blues through the controversies surrounding the Altamont Music Festival, the arguments with band mate Keith Richards, and Jagger’s own constant need to reinvent himself as performer. Wild horses can’t drag Stones fans away from this riveting tale of a rock legend who’s still trying to find satisfaction.

MY MAN'S GOT IT MADE
In the early 1970s, one of the frequent guests at the Stones’ banquet was a star-crossed lad from Waycross, Georgia. Gram Parsons’ story is well known to many: Charming, handsome and talented young man with a trust fund grows up in a dysfunctional family, leaves home to carry his crystal voice and brilliant songwriting to music circles, rises quickly to radiant stardom, dies young in 1973 and is immortalized as the founder of cosmic American music and country rock. Journalist Bob Kealing rehearses this familiar story in his mesmerizing Calling Me Home: Gram Parsons and the Roots of Country Rock, but he also draws upon dozens of new interviews with Parsons’ family, friends and fellow musicians. Kealing offers a compulsively readable and intimate portrait of a young man who introduced the pure strains of country stars such as the Louvin Brothers and Merle Haggard to rock.

LIKE A BIRD ON A WIRE
When Leonard Cohen returned to the stage to much acclaim in 2007 after an extended absence, his fans embraced him as a long-lost pilgrim, and indeed he had been holed up in a Buddhist retreat center, looking for tranquility and order in his life. In I’m Your Man: The Life of Leonard Cohen, music critic Sylvie Simmons vividly chronicles the life of a musician whose song “Hallelujah,” affirming his faith in life and love, has become one of the most-recorded songs in pop history. Simmons draws extensively on Cohen’s private archives, unpublished writings and his vast store of published writings, as well as interviews with close friends, rabbis and Buddhist monks as she traces Cohen’s path from his early life in Montreal through his rise to fame as a raspy-voiced singer-songwriter in the 1960s and ’70s, his retreat from the public eye and his return. In this elegantly crafted biography, Simmons captures the artist who, in spite of all his highs and lows, is still sharp at the edges, a wise old monk, a trouper offering up himself and his songs.

AIN'T I A WOMAN
While Cohen has recently returned to the music scene, soul singer Bettye LaVette never left it, and she’s finally getting some long-overdue recognition for her powerful, heart-wrenching singing. Unflinchingly honest, LaVette, with writer David Ritz, shares the searing story of her struggle to gain recognition for her tremendous talent—praised by her friends Aretha Franklin, Otis Redding and others—and the many obstacles along the way that kept her from stardom in A Woman Like Me. As a teenager, she hit the charts with “My Man—He’s a Lovin’ Man,” and though life continued to push her down, LaVette never lost hope. Her stunning rendition of the Who’s “Love Reign o’er Me” at the Kennedy Center Honors catapulted her back into the spotlight in 2008. Energetic and frank, LaVette’s unforgettable memoir spotlights a star that still shines.

THE GAMBLER
On a train bound for nowhere, country legend Kenny Rogers met up with success. In his aw-shucks, sit-down-and-listen-for-a-spell memoir, Luck or Something Like It, the singer-songwriter who has sold tens of millions of records asks us onto his front porch as he reminisces in never-before-told stories about his upbringing in a poor part of Houston, his love for his parents and family, his love of music at an early age, his five marriages and his artistic partnerships with Dolly Parton and Barry Gibb, among others. With a twinkle in his eye and a song in his heart, Rogers gracefully recalls the ups and downs on his wild ride to fame, grateful to have had the good fortune to remain in the spotlight as an entertainer for more than 50 years.

ALSO IN BOOKPAGE
Read a review of Neil Young’s Waging Heavy Peace.

As Pete Seeger reminds us in his now-iconic ballad, “Turn, Turn, Turn,” there’s a season for everything. This fall is the season for a cavalcade of music memoirs and biographies, books that will make music lovers weep, laugh and sing. IT'S ONLY ROCK AND ROLLThis year the Rolling Stones will gather no moss but rake […]
NonfictionPhotographyMusic

Memories of musical greats

Feature by Henry L. Carrigan Jr.

Whether through letters, lyrics or rare photos, a number of this season’s books capture the magic of the music we love so much.

Acclaimed Beatles biographer Hunter Davies has gathered, for the first time, all of John Lennon’s correspondence in a groundbreaking collection. The John Lennon Letters, published on what would have been Lennon’s 72nd birthday, includes almost 300 letters, notes, doodles, handwritten Beatles set lists, grocery lists and lyrics to never-recorded songs. Ranging from 1951 to Lennon’s reclusive years with Yoko Ono in the late 1970s, this fascinating volume contains thank-you notes to family and friends; love notes to Cynthia, his first wife (including a homemade card that celebrates their first Christmas together); a page from a homemade book, A Treasury of Art and Poetry, that he wrote when he was 11; and letters to record executives and other Beatles. With affection and insight, Davies provides elegant introductions to each of the book’s sections, setting each of the items into the fuller context of Lennon’s life and times.

SHINE A LIGHT

Fifty years after they kicked off their rollicking and raucous career at The Marquee Club in London, the Rolling Stones continue to prance across stages with their hard-driving anthems celebrating sex, drugs and rock ’n’ roll. The band marks the anniversary with The Rolling Stones 50, by Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood. More than 1,000 illustrations from the archives of the Daily Mirror chronicle now-legendary events in the Stones’ career—from the band’s first appearance on the Ed Sullivan Show to the 1969 concert at the Altamont Speedway. Captions from band members accompany the photographs; in a concert photo of the Stones in the Brighton Ballroom in 1964, packed with fans screaming, fainting and fist-fighting, Jagger remarks that “it was getting to be the same old thing, night after night. There was every chance that someone would get seriously hurt if this kept up.” Because it contains many rare and never-before-seen photos, this essential collection is a perfect gift from the Stones to their fans.

ARE YOU EXPERIENCED?

An entire generation of guitarists grew up imitating Jimi Hendrix’s blazing guitar solos. Yet, as Hendrix’s sister, Janie, illustrates so forcefully in her lovingly crafted collection, Jimi Hendrix: The Ultimate Lyric Book, Hendrix excelled as much at lyrics as he did at licks. Published in time for what would have been Hendrix’s 70th birthday, this collection of handwritten lyrics, some scribbled on hotel stationery, offers powerful insights into Hendrix’s passionate imagination and lyrical genius. Photos accompany each song, bringing to life Hendrix’s enduring legacy and his ability, in his sister’s words, to build a “bridge from past to present to future.”

Whether through letters, lyrics or rare photos, a number of this season’s books capture the magic of the music we love so much. Acclaimed Beatles biographer Hunter Davies has gathered, for the first time, all of John Lennon’s correspondence in a groundbreaking collection. The John Lennon Letters, published on what would have been Lennon’s 72nd […]
PhotographyMusicMemoirBiography

The song remains the same

Feature by Henry L. Carrigan Jr.

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph.

In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year later, Neil Young joined the band, and the quartet rocketed to superstardom on the strength of Graham Nash’s song “Teach Your Children.” Behind the scenes, though, life wasn’t so harmonious. In his honest and well-crafted memoir, Wild Tales: A Rock & Roll Life, Nash reveals the fierce struggles between Stills’ and Young’s titanic egos that eventually destroyed the group (although they have never officially broken up). With the lyrical flights of his best songs (“Carrie Anne,” “Our House,” “Chicago”), Nash carries readers on a journey from his often difficult childhood in the industrial north of England and the formation with Allan Clarke of the band that eventually became the Hollies, to his encounters with Mama Cass Elliot (who introduced him to David Crosby), Joni Mitchell, the Everly Brothers and Bob Dylan. While Nash holds back little, unveiling his disappointments with his own work and that of others, his love of songwriting and harmony remains: “I am a complete slave to the muse of music.”

STAIRWAY TO HEAVEN

While Nash tells his own story in his own words, Led Zeppelin front man Robert Plant told journalist Paul Rees that he had no intention of writing a memoir because it was “too early in his career to do so.” Instead, Plant allowed Rees to have unparalleled access to his closest friends and associates to tell the story in Robert Plant: A Life. Rees chronicles Plant’s childhood as the son of an engineer in England’s industrial Midlands, where he would often hide behind the sofa and pretend to be Elvis. Deeply influenced by the blues (in particular the music of Robert Johnson), Plant began singing with local bands around Birmingham and left home at 17 to pursue a music career. But it was not until he teamed with Yardbirds guitarist Jimmy Page in 1968 that his ascension to rock-god status truly began. A few months later, after the band’s name was changed to Led Zeppelin, their rapid rise to fame exceeded even Plant’s wildest expectations. Rees traces the successes and excesses of Led Zeppelin, from limos, groupies and sudden wealth to plagiarism charges and “poisonous” reviews. He also explores Plant’s recent work, including his acclaimed collaboration with bluegrass fiddler Alison Krauss. Plant comes across as a confident but agreeable superstar, a “preening peacock” whose long locks and powerful voice secured his place in the rock pantheon.

HELLO, I’M JOHNNY CASH

Although Johnny Cash told his own story on at least two occasions—in Man in Black (1975) and, with Patrick Carr, Cash: The Autobiography (1997)—he nevertheless remains an enigmatic figure whose life story is surrounded by as much legend as truth. Until now. Drawing on previously unpublished interviews with Cash as well as previously unseen materials from the singer’s inner circle, former L.A. Times music critic Robert Hilburn gives us the definitive biography of the Man in Black in Johnny Cash: The Life. In intimate detail, Hilburn—the only music journalist at Cash’s legendary Folsom Prison concert in 1968—elegantly traces the contours of Cash’s life and career. After a hardscrabble childhood in Dyess, Arkansas, Cash built on his early love of music and made insistent attempts to get Sam Phillips’ attention at Sun Records. Hilburn chronicles Cash’s early hits such as “Folsom Prison Blues,” his foray into television in the late 1960s with “The Johnny Cash Show,” his failed first marriage and his deep love for June Carter, as well as his drug addictions. Most importantly, Hilburn compiles an exhaustive record of Cash’s enduring contributions as a songwriter and singer to both rock and country music.

TAKE THE “A” TRAIN

In the almost 40 years since his death, Duke Ellington has remained an enigmatic figure, even as his reputation as one our greatest and most culturally prominent orchestra leaders and jazz composers continues to grow. Following his acclaimed biography of Louis Armstrong, Pops, culture critic Terry Teachout draws on candid unpublished interviews with Ellington, oral histories of the orchestra leader and his times, and other little-known primary sources to tell a mesmerizing story in Duke: A Life of Duke Ellington. Teachout follows Ellington from his childhood in Washington—where he gained his name “Duke” because of his stylish dress—and the first band he formed at 20, to his move to Harlem at the beginning of the Harlem Renaissance and his emotional distance from family and friends for the sake of composing his music. Teachout traces Ellington’s deep influence on various cultural movements, from the Harlem Renaissance to the Duke’s own renaissance at the 1956 Newport Jazz Festival. Teachout brings Ellington to life in this richly detailed and engrossing biography.

OLD FRIENDS

We often remember our favorite album covers and photos of our favorite musicians as much as their music. For more than four decades, Columbia Records staff photographer Don Hunstein snapped memorable shots of figures as diverse as Aretha Franklin, Sly Stone, Miles Davis, Leonard Bernstein, Mitch Miller, Tony Bennett and Bob Dylan, catching rare private moments of public lives. A collection of gorgeous, never-before-seen photos from the Columbia Records archive, Keeping Time: The Photographs of Don Hunstein illustrates Hunstein’s ability to capture artists relaxing and being themselves. Photos of Johnny Cash on his family’s farm in 1959, a weary Duke Ellington talking to Langston Hughes at the 1956 Newport Jazz Festival, and Cassius Clay and Sam Cooke teaming up in the recording studio in 1964 are just a few of the gems included here. In the words of New York Times music writer Jon Pareles, who contributes the book’s brief text, Keeping Time is “a quietly revealing close-up of artists who graced and transfigured the twentieth century.”

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph. In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year later, Neil Young joined the band, and the quartet […]
NonfictionMusicMemoirBiography

That’s what makes the jukebox spin

Feature by Henry L. Carrigan Jr.

This fall, music keeps playing around in our heads thanks to a crop of books by and about some of rock's most elusive artists, as well as its most treasured songs. 

WHOLE LOTTA SHAKIN’
Over a two-year period, maverick Southern author Rick Bragg (All Over but the Shoutin’) sat down with Jerry Lee Lewis and let the Killer walk “day after day through the past and come back, sometimes bloody, with the stories in this book.” Not simply an “as-told-to” memoir, Jerry Lee Lewis: His Own Story is a harmonious blend, with Lewis providing the details of his life and Bragg weaving a narrative around them to add historical and cultural context. “He did not want to do a first-person book,” Bragg writes, “and I had no interest in trying to pretend to be him. Instead, this is one man talking of a remarkable life and another man writing it down and shaping it into a life story so rich that, if I had not been there, I would have wondered if it was real.”

And Lewis’ story is definitely remarkable: Full of life from birth—“I come out jumpin’, an’ I been jumpin’ ever since”—Lewis discovered his “reason for being born” when he saw a piano in his aunt’s house as a child. He knew he wanted to be a star, so he pursued his dream relentlessly, appearing in clubs when he was 14 and lying about his age. Lewis burned down many roadhouses with his raucous style, rising to fame with songs such as “Whole Lotta Shakin’ Goin’ On” and “Great Balls of Fire,” and leaving in his wake broken marriages and mangled friendships. The book candidly catalogs his problems with drugs, alcohol, taxes and women (his seven marriages included a union with his 13-year-old second cousin that caused an international scandal). Lewis also acknowledges his fear that he may have led people astray with his music, but confesses that music was the purest part of his life. Lewis tells his story here for the first time, and it’s every bit as frantic, ugly, joyful and searing as you’d expect from the Killer.

A NATURAL WOMAN
While Lewis hypnotized audiences with manic energy, Aretha Franklin grew up in the Detroit church where her father preached, playing soulful gospel piano and developing her unmistakable voice. Franklin collaborated with music writer David Ritz in 1999 on a less-than-revealing memoir, Aretha: From These Roots. As Ritz explains in his new book, Respect: The Life of Aretha Franklin, Franklin asked him to work with her on a second volume, but he declined, citing her insistence on steering clear of certain topics. Instead, Ritz chose to write an independent biography, drawing on his earlier conversations with the singer, her friends and family to provide a full and frank account of the Queen of Soul’s career. Moving album by album, the book recounts her rise to the top of the soul charts in the late 1960s and her fall from the throne in the early 1970s. She struggled to find her style in the disco era, and reinvented herself in 1985 with the hit “Freeway of Love.” Franklin isolated herself for almost 20 years after the deaths of her father, sisters and brother, only to come out of the shadows once again in 2008 to sing at President Obama’s first inauguration. Franklin’s life is rarely pretty, however, and Respect is ultimately a poignant and disappointing tale of a singer who never reached the pinnacle for which she aimed.

SOUL SACRIFICE
In 1966, a young guitar player named Carlos Santana filled in one night at Bill Graham’s famous Fillmore West with an impromptu group of musicians; the rest, as they say, is history. Three years later, Santana and his band mesmerized the crowd at Woodstock, and soon after, the band’s first album climbed to #4 on the Billboard charts. Reaching this level of success wasn’t easy, as Santana reveals in his new memoir, The Universal Tone: Bringing My Story to Light, which he co-wrote with Ashley Kahn and Hal Miller. Although the book’s prose is sometimes flat and repetitive, the details of Santana’s story are nevertheless compelling. He traces his path from his childhood in the Mexican town of Autlán to his earliest gigs at El Convoy in Tijuana. Santana recounts his sometimes ragged family life and reveals for the first time the sexual abuse he suffered at age 11 at the hands of a man who took him to San Diego and molested him, leaving the boy with “an intense feeling of pleasure mixed with confusion, shame, and guilt for letting it happen.” Above all, however, Santana’s memoir recounts his spiritual quest to find the “story behind the stories, the music behind the music. . . . I call it the Universal Tone, and with it you realize you are not alone; you are connected to everyone.”

 

Paul McCartney added psychedelic illustrations to his handwritten lyrics for “The Word,” a song on 1965’s Rubber Soul album. 
From The Beatles Lyrics, reprinted with permission. Lyrics © Sony/ATV Music Publishing.

 

ALL YOU NEED IS LOVE
Although the life stories of musicians continue to fascinate us, we’re just as intrigued and perplexed by the lyrics of popular songs. Few songs have been as scrutinized as those by the Beatles, and in his new book, The Beatles Lyrics, Beatles biographer Hunter Davies not only probes the meanings of the Fab Four’s songs but also gives readers a behind-the-scenes look at their writing process. For John Lennon and Paul McCartney, songwriting could happen anywhere—songs might begin as a scribble on the back of an envelope or on hotel stationery. “Strawberry Fields,” for example, was written by Lennon when he was in Spain, far from home and thinking back on his childhood in Liverpool. This stunning collection explores the stories behind all the Beatles’ classics and includes more than 100 original handwritten manuscripts.

CRYING, WAITING, HOPING
The hallways of rock ’n’ roll history are littered with volumes that move mechanically through a year-by-year chronicle of important events. Noted cultural critic Greil Marcus wasn’t interested in writing a typical history of the genre, however. His provocative The History of Rock ’n’ Roll in Ten Songs chronicles the music through an exploration of 10 songs recorded between 1956 and 2008. In his typical gnostic style, Marcus examines the ways in which each song transcends its era, gathering meaning as it is recorded by artists in completely new times and places. For example, he observes that the Teddy Bears’ 1958 hit, “To Know Him Is to Love Him,” took 48 years to find its voice. “When Amy Winehouse sang it in 2006, her music curled around Phil Spector’s [who wrote the song], his curled around her, until she found her way back to the beginning of his career, and redeemed it.”

Marcus’ unconventional history captures the unruly, unpredictable nature of rock ’n’ roll.

 

This article was originally published in the November 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

This fall, music keeps playing around in our heads thanks to a crop of books by and about some of rock's most elusive artists, as well as its most treasured songs.
NonfictionMusicMemoirBiography

Following the beat of their own drummers

Feature by Henry L. Carrigan Jr.

The lives of musical greats continue to fascinate us, and this fall once again features biographies and memoirs of key players, from the producer credited with inventing rock ’n’ roll to a woman at the forefront of feminist rock.

On December 4, 1956, Elvis Presley, Carl Perkins, Jerry Lee Lewis, Roy Orbison and Johnny Cash got together in Memphis’ Sun Studio for an impromptu jam session. Behind the console was Sam Phillips, the man who not only discovered Presley, Cash and Lewis, but who also dreamed of bringing together black and white voices in the studio in a deeply divided South. Peter Guralnick, the dean of rock historians, draws on extensive interviews from his 25-year friendship with Phillips in the epic, elegant and crisply told Sam Phillips: The Man Who Invented Rock ’n’ Roll. Guralnick charts Phillips’ path from his birth near Florence, Alabama, to the founding of Sun Records—and chronicles his enduring contributions to rock ’n’ roll. When he produced Rufus Thomas’ version of “Hound Dog,” for example, Phillips thought it didn’t live up to Big Mama Thornton’s original, but “Rufus carried off his performance with genuine conviction—the one unwavering test Sam applied to any material he let out of the studio.” In the end, as Guralnick points out, what drove Phillips was his dream of allowing the voices he had heard singing chants in the cotton fields to express themselves in their own way. “[M]usic was not confined to the drawing room . . . there was great art to be discovered in the experience of those who had been marginalized and written off because of their race, their class, or their lack of formal education.” 

LONG AS I CAN SEE THE LIGHT
John Fogerty of Creedence Clearwater Revival serves as a cracking good storyteller in Fortunate Son: My Life, My Music. Born in El Cerrito, California, in 1945, Fogerty sought music as both escape and solace after his parents’ divorce. He traces the early incarnations of Creedence and the band’s rise to the top of the charts in 1969 with “Proud Mary” and “Born on the Bayou.” He also offers backstory on his lyrics: “Bad Moon Rising,” for instance, grew out of hearing people talk in astrological lingo such as “I’m a Virgo with Libra rising.” Although Creedence was flying high in the late 1960s and early ’70s, the group soon descended into an inferno of contentious legal battles. Fogerty expresses his anger and disappointment with bandmates Stu Cook and Doug Clifford, and for the first time shares what he believes were the outlandish courtroom tactics of lawyers who knew nothing about music. After a period away from the public eye, he has immersed himself in songwriting once again—“all good songs engage you because they get you to feel something”—and emerged thankful for the journey, even the hard parts.

THE LOVE YOU SAVE
Rolling Stone writer Steve Knopper chronicles the King of Pop’s rise to fame in the compulsively readable MJ: The Genius of Michael Jackson. Drawing on 400 interviews with friends, family and others, Knopper traces Jackson’s musical genius from his early days with the Jackson 5 through his out-of-this-world solo success with “Beat It” and “Thriller.” When Jackson met Quincy Jones in the mid-1970s, he saw Jones as a father figure who could take the place of the abusive Joe Jackson, and by the end of the ’70s, Jackson was working with Jones, moving toward a solo career and developing his signature dance moves. With the release of videos for “Billie Jean” and “Thriller,” he successfully “integrated radio and MTV,” Knopper writes. Through much of the 1990s and early 2000s, Jackson lived under the shadow of child sexual abuse charges, and he sank into oblivion from prescription drug use before his death in 2009. Still, for nearly three decades, he was “supernaturally graceful, the rare show-business Renaissance man who could sing, dance, and write songs.” 

PAINTED FROM MEMORY
Unlike most traditional memoirs, Elvis Costello’s Unfaithful Music & Disappearing Ink eschews any narrative structure, moving freely out from his childhood in Liverpool and London, where he accompanied his father to dance halls, soaking up the chords and vibes. In school, he managed to talk a couple of friends out of an “unhealthy fascination with the music of Emerson, Lake & Palmer” and turn them on to the acoustic music then flowing out of Laurel Canyon. Costello mulls over his associations with musicians from Emmylou Harris to Kris Kristofferson, discussing the influence each has had on him. A prolific songwriter, he also shares insights into the composition of his songs. For “Allison,” which is based on the imagined life of a grocery checkout cashier, he writes, “I have no explanation for why I was able to stand outside reality and imagine such a scene as described in the song and to look so far into the future.” Costello’s aim is true in these peripatetic musings about his life and music.

MODERN GIRL
Guitarist Carrie Brownstein co-founded the group Sleater-Kinney, pushing the boundaries of punk and indie rock and emerging as a central figure of the riot grrrl movement. In Hunger Makes Me a Modern Girl, she probes her life with an honesty that is at once painful and spirited. Growing up in a suburb of Seattle, Brownstein attended her first concert—Madonna—in fifth grade, a “moment I’ll never forget, a total elation that momentarily erased any outline of darkness.” By the time she was in high school, she was alienated from her parents and immersed in Bikini Kill, whose music provided a haven from the turmoil of her teenage life. She and Corin Tucker eventually formed Sleater-Kinney and made a name for themselves in the Seattle scene and around the world. Brownstein bubbles over with fiercely blunt insights about the male-dominated music business: “[P]ersona for a man is equated with power; persona for a woman makes her less of a woman.” When Sleater-Kinney broke up in 2006, Brownstein went on to co-write, produce and star in the television show “Portlandia.” She declares that, for her, performing and playing and living the life of a working artist constitutes her search for a home: “the unlit firecracker I carried around inside me in my youth . . . found a home in music.”

 

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

The lives of musical greats continue to fascinate us, and this fall once again features biographies and memoirs of key players, from the producer credited with inventing rock ’n’ roll to a woman at the forefront of feminist rock.
NonfictionMemoirMedicine

Final life lessons

Feature by Henry L. Carrigan Jr.

Several recent books, most notably Atul Gawande’s Being Mortal, urge us to ask ourselves how we can live a good life, recognizing that death is a seamless part of our existence. Two compelling new accounts highlight individuals struggling with this question.

LESSONS FROM HOSPICE
In On Living, hospice chaplain Kerry Egan begins her vocation with some resistance, unsure that in her own brokenness she can provide comfort to those who are broken by life and waiting for death. Reluctant to talk about religion with her patients, she soon discovers that simply listening to their stories—of their families, of their losses and regrets, of love—heals her and them: “I don’t know if listening to other people’s stories as they die can make you wise, but I do know that it can heal your soul. I know this because those stories healed mine.”

Egan shares the story of Gloria, a mother who’s been withholding a secret from her son and wants to reveal it as a gesture of love in her final days. A patient named Reggie expresses regret about a life that’s been “empty and alone,” leaving him without a single friend or family member to offer comfort. Then there’s Cynthia, who struggles to accept her overweight body even as she’s dying; like all people who are dying, Egan observes, Cynthia faces the reality that she will “no longer be able to experience this world in this body, ever again.” The lesson for those of us not dying, of course, is that living fully means embracing our imperfect selves with joy and love while we still can.

Egan’s evocative and eloquent book reminds us that we are defined by the stories we tell, and those stories often reveal how life can be “beautiful and crushing” at the same time.

DEATH WITH DIGNITY
Deborah Ziegler’s poignant and fierce Wild and Precious Life celebrates the life of her daughter, Brittany Maynard, who was diagnosed with terminal brain cancer in 2014 at the age of 29. 

When Ziegler first learned of her daughter’s condition, she ran screaming into the dark night of hopelessness, praying that God would take her and not her daughter. She refused to accept her daughter’s impending death and wanted to pursue any treatment that would extend her life.

Brittany, however, taught her mother the one truth we most often avoid in such situations: A good death is part of a life well lived. After Brittany learned the gravity of her situation, she moved from California to Oregon, where a death with dignity law allowed her to make her own choices on how and when her life would end. Her decision prompted a nationwide discussion of assisted suicide and a patient’s right to make end-of-life decisions. 

Skillfully interspersing stories of Brittany’s growing up with a touching account of her final year, Ziegler reminds us, in Brittany’s own words, of the real lesson we need to learn: “Live your lives well. Accept the sorrow with the joy, the ineffable grief with the love.”

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Several recent books, most notably Atul Gawande’s Being Mortal, urge us to ask ourselves how we can live a good life, recognizing that death is a seamless part of our existence. Two compelling new accounts highlight individuals struggling with this question.
NonfictionFood & Drink

So good you can almost taste it

Feature by Henry L. Carrigan Jr.

Reading succulent books on food and its history is almost as satisfying as eating a great meal. This season our tables are laden with five luscious books sure to appeal to the foodies on your holiday list.

SPICE IS NICE
In Eight Flavors: The Untold Story of American Cuisine, Sarah Lohman traces the evolution of our culinary culture by exploring the histories of eight ingredients that have come to characterize modern American cuisine: black pepper, vanilla, chili powder, curry powder, soy sauce, garlic, monosodium glutamate and Sriracha. Drawing on deep research into cookbooks, as well as her own travels in search of flavor origins, Lohman introduces us to the explorers, merchants and cooks responsible for changing our tastes. For example, in the early 19th century, merchant John Crowninshield and his father, George, brought 1.5 million pounds of black pepper from Sumatra to the U.S. over a period of two years. Americans have been using hot sauce to spice up their dishes since 1807, Lohman discovers, and the popularity of Sriracha, first produced by Huy Fong Foods in 1980, continues to turn up the heat in our meals. Lohman’s delectable book illustrates the deep connections between culture and food, reminding us that the flavors that enhance our foods represent the people who cook it.

HOT TIMES
Also noticing that Americans love a little spice in life—and on their vegetables, pork roast or chicken wings—journalist Denver Nicks offers an enticing overview of this passion in Hot Sauce Nation: America’s Burning Obsession. He discovers that sales of hot sauce in the U.S. far outstrip sales of other condiments. These peppery potions have long been an integral ingredient in the cooking of the world’s poor because hot sauce is inexpensive, tasty and has a long shelf life. Fast food chains, such as Wendy’s and White Castle, have introduced dishes such as spicy chicken sandwiches, jalapeño burgers and Sriracha sliders to their menus to satisfy the cravings for capsaicin (the chemical in peppers that causes the sizzling sensation). Nicks’ burning questions about our love of Tabasco and its many cousins eventually move beyond the taste of the sauce and on to the mystery of why we love it. He concludes philosophically that we devour hot sauce “to enliven our meals and to dance with pain,” transcending, at least momentarily, the agony induced by the capsaicin rush.

CULINARY TRAVELS
Matt Goulding’s love of Spanish cuisine began when he shared a meal with the woman who would become his wife. In Grape, Olive, Pig: Deep Travels Through Spain’s Food Culture, Goulding does for Spain’s food what he did for Japan’s in Rice, Noodle, Fish, except that this time it’s more personal. In a foreword, Goulding dishes out the elements of Spanish cuisine that he’s fallen for: “beautiful local ingredients, impeccable techniques, and a ravenous appetite for all manners of flora and fauna. The Spanish suck the brains from shrimp heads, crunch sardine spines like potato chips, and throw elaborate wine-soaked parties to celebrate spring onions.” Goulding’s succulent prose celebrates nine regions of Spain, commending the food, drink or manner of preparation that makes each area memorable. In Barcelona, for example, it’s foraging for dinner in the markets across the city, from the sheep market to the pig market. Galicia reigns supreme for its gooseneck barnacles, while Basque country produces Spain’s finest wines. Goulding sprinkles useful advice throughout the book; thus, on “how to drink like a Spaniard,” he counsels to “order it local,” “drink it small and cold,” and “skip the Sangria.” Affectionate and amusing, Goulding’s book provides a tasty guide for travelers grazing through Spain’s food cultures.

TASTE OF THE TOWN
As the late food historian Joy Santlofer demonstrates in her elegant Food City: Four Centuries of Food-Making in New York, the Big Apple has long been a crossroads of food cultures. Santlofer vividly traces the evolution of New York City as the capital of the food industry from the mid-17th century to the present. She focuses on the big four of food production in New York—bread, sugar, drink, meat—and chronicles the ways that the production of each moved from the artisanal to the industrial and back to the artisanal. During the height of industrialization, New York was home to National Biscuit Company, Hebrew National and American Chicle. Readers familiar with the city will be surprised to learn that the pedestrian mall on 42nd Street functioned in the 19th century as a trail where cattle were driven to slaughterhouses along the East River. Santlofer brings to life the colorful history of “food city,” emphasizing that the future belongs to young artisans who continue to create new products.

A REAL PAGE-CHURNER
In Butter: A Rich History, food writer and former pastry chef Elaine Khosrova whips up a tasty chronicle of the indispensable dairy product. Khosrova demonstrates that “the life and times of butter have been deeply entwined” with events far from kitchen or creamery. She explores, for example, the use of butter in Tibetan Buddhism to sculpt sacred figures; the staple also took on sacred properties in the Middle Ages when the Roman Catholic Church banned consumption of butter on fast days. Khosrova points out that butter’s rich texture and flavor enhance other ingredients and make sweets irresistible. She provides a range of recipes, from croissants and shortbread to hollandaise and butterscotch pudding, that butter made possible, as well as recipes for making your own butter. Khosrova’s richly textured history melts in your mouth.

 

This article was originally published in the December 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Reading succulent books on food and its history is almost as satisfying as eating a great meal. This season our tables are laden with five luscious books sure to appeal to the foodies on your holiday list.
NonfictionNature

Troubled waters

Feature by Henry L. Carrigan Jr.

The vastness and untamed energy of oceans, seas and lakes both fascinate and frighten us. Two new books explore our complex relationships with iconic American bodies of water.

In his vivid The Gulf: The Making of an American Sea, University of Florida historian Jack E. Davis narrates the history of the Gulf of Mexico from its origins in the Pleistocene epoch and its flourishing aboriginal cultures—still evident in burial and ceremonial mounds. Davis traces various eras of exploration and conquest by Spanish, British and French explorers, the development of towns on the Gulf as tourist destinations in the 19th and early 20th centuries, and oil booms and ecological catastrophes of the late 20th century. Along the way, we meet figures who shaped the history of the Gulf: ethnologist Frank Hamilton Cushing, who explored the ancient mounds; 16th-century Spanish explorer Álvar Núñez Cabeza de Vaca; and Randy Wayne White, the fishing guide (and bestselling author) whose promotion of the tarpon lured hundreds of anglers to the Gulf Coast.

Though Gulf waters once teemed with “crabs, shrimp, and curious jumping fish called the mullet,” by the mid-20th century, the thirst for development had disastrous consequences. In the 1960s, many scientists recommended eradicating mangroves, which prevent erosion, in order to build condominiums closer to the water. When beaches began to erode, communities built seawalls, which actually worsened the problem. As Davis demonstrates in this absorbing narrative, the history of the Gulf teaches us that nature is most generous whenever we respect its sovereignty.

ECOLOGICAL THREATS
The Great Lakes span 94,000 square miles and provide 20 percent of the world’s supply of fresh water. Yet, as award-winning journalist Dan Egan points out in The Death and Life of the Great Lakes, these inland seas face challenges unimaginable when explorer Jean Nicolet first paddled across Lake Huron in the 17th century. At that time, the Great Lakes were isolated from the Atlantic, unreachable by boat not only because of their unnavigable shorelines but also because of the challenges of crossing waterfalls. With the construction of the St. Lawrence Seaway, begun in 1955, ships gained what Egan calls a “front door” to the lakes, turning cities like Chicago into inland ports.

By the mid-20th century, industrial and municipal pollution created dead zones in the lakes. While the passage of the Clean Water Act in 1972 prompted some recovery, the law didn’t prevent ships from dumping contaminated ballast. Egan chronicles the ways that such pollution has decimated native fish populations, created toxic algae outbreaks and introduced the DNA of non-native species into the lakes. In this compelling account, Egan issues a clarion call for re-imagining the future of the Great Lakes.

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The vastness and untamed energy of oceans, seas and lakes both fascinate and frighten us. Two new books explore our complex relationships with iconic American bodies of water.

NonfictionBiography

The roots of Christianity

Feature by Henry L. Carrigan Jr.

The recent death of Reverend Billy Graham and the many diverse responses to it illustrated how inextricably Christianity has woven itself into the fabric of American history. How did this ancient religion grow from a loose group of individuals following an itinerant preacher into a massive movement with millions of followers? Three provocative new books examine the evolution of the Christian religion from its roots through the Middle Ages.

In The Triumph of Christianity: How a Forbidden Religion Swept the World, Bart D. Ehrman (How Jesus Became God, Misquoting Jesus), a professor of religious studies at the University of North Carolina, Chapel Hill, draws deeply on ancient documents and other research to tell the tale of how Christianity grew from a handful of followers to more than 30 million followers over four centuries. After Jesus’ death, this rag-tag group of illiterate peasants embraced a message of love and service, equality and community that challenged the dominant ideology of imperial Rome. Contrary to Roman teachings, under which there existed a clear hierarchy between classes of people, in Christianity no such hierarchies existed and everyone—master and slave, husband and wife, healthy and sick—was equal before God. As Ehrman points out, a core group of this early community preached this new message zealously, pointing out both to Jews and non-Jews the benefits of acknowledging the divinity of one God and properly worshipping this God. The development of early Christianity was never easy since various imperial groups persecuted Christians; yet in spite of such persecution, Christianity grew through word of mouth among family and friends. Eventually, Christianity was tolerated and then legalized by the Roman Empire. As Ehrman concludes in this stimulating book, Christianity took over the empire and radically altered the lives of those living in it by opening the doors of public policies to the poor, the sick and the outcasts as deserving members of society.

THE APOSTLE
One leader of the early church, Paul of Tarsus, did even more to spread this new gospel of one God. In his monumental, meticulously detailed and elegant study, Paul: A Biography, N.T. Wright, Chair of New Testament and early Christianity at the School of Divinity at the University of St. Andrews, presents a fascinating portrait of a man who went from persecuting Christians to being their biggest advocate. Since Paul tells most of his story in his letters, Wright carefully and closely reads these letters to illustrate that Paul combined the winsome with the rigorous to share his message. Wright points out that Paul’s deeply Jewish education provides the foundation for his vision of Christianity: to love one’s neighbor and to love the one God with all one’s heart, soul and might. Above all, Paul emphasizes the “family life of believers,” what he begins to call the church—a new kind of community in which “each worked for all and all for each.”

A NEW MESSAGE
By the Middle Ages, Paul’s message of a new community was lost in the ecclesiastical hierarchy of the church, which focused inward to take care of itself. In the striking and compulsively readable Dangerous Mystic: Meister Eckhart’s Path to the God Within by Joel F. Harrington, a professor of history at Vanderbilt University, the life of Eckhart (1260-1328), a Dominican friar who taught a message of the holiness of the individual that was inward and outward, is explored. Eckhart delivered a new teaching: by letting go of worldly things—even the image of God Himself—we prepare ourselves for an experience of the divine. Harrington examines Eckhart’s own process toward this teaching in the book’s four sections: “Letting Go of the World,” “Letting Go of God,” “Letting Go of the Self” and “Holding On to Religion.” For Eckhart, the experience of the divine means not withdrawal from the world, but a renewed energy to love and serve others. The divine spark within each of us, Eckhart teaches, links us to others and to creation. Harrington’s striking portrait of Eckhart illustrates the ways Eckhart’s teachings remain fresh even for today’s Christians.

The recent death of Reverend Billy Graham and the many diverse responses to it illustrated how inextricably Christianity has woven itself into the fabric of American history. How did this ancient religion grow from a loose group of individuals following an itinerant preacher into a massive movement with millions of followers? Three provocative new books examine the evolution of the Christian religion from its roots through the Middle Ages.

NonfictionSocial ScienceReligion & SpiritualityPoliticsMemoir

Searching for meaning

Feature by Henry L. Carrigan Jr.

When our relationships falter under the pressure of political or religious demands, when ambiguity more than certainty guides our lives, we may be tempted to succumb to our malaise. However, there is another option: We can stumble through the shadows, searching for some thread of meaning that will guide us out of the darkness. The authors of these books have chosen the latter path, peeling away the detritus of life to discover meaning—personal and political—and plumbing the spiritual depths that accompany their searches.

★ Thin Places

With humor and razor-sharp insight, Jordan Kisner’s Thin Places: Essays From in Between captures the visceral, palpable feeling of loss. The ways we inhabit space occupy many of these evocative essays, such as in a piece on an art installation at New York City’s spacious Park Avenue Armory, in which Kisner encourages readers to find someplace “big and empty” when they are “stuck somewhere small . . . somewhere unhappy or afraid or paralyzed or heartbroken.” In her celebrated essay “Thin Places,” she discovers the age-old concept of the space between the spiritual and physical world. This “thin place” is porous, a space where distinctions between “you and not-you, real and unreal, worldly and otherworldly, fall away.” It’s in these thin places that we can find ourselves, absorb glimpses of new meaning from another world and live in the moment. Kisner weaves together reflections on Kierkegaard, her early Christian conversion (and later “unconversion”) and waiting for the subway to gracefully guide us through our own emptiness in search of fullness.

The Great Blue Hills of God

Kreis Beall’s The Great Blue Hills of God explores in lyrical prose what happens when her life falls apart. Beall, who helped create Blackberry Farm, one of the South’s most heavenly resorts, appears to have it all: a loving marriage, great wealth, a beautiful family and a satisfying career. But the demands of building up several properties slowly erode her marriage, and she finds that her and her husband’s financial bank is full but their “emotional bank” is being emptied. As her marriage fades away, Beall falls, and suddenly her health is compromised, and she temporarily loses her hearing. She experiences further devastation when her son, Sam, dies in a skiing accident. Despite the loss of her family, health and wealth, she discovers glimpses of grace in her reading of the Bible, discussions with her pastor and friends and meditations on the nature of home. Throughout the book, Beall sprinkles in fruitful bits of wisdom, embracing the conclusion that, “to me, home is God, family, friends, and legacy. . . . A home is a heart. It is love, people, relationships, and the life you live in it.”

Scandalous Witness

Lee C. Camp’s Scandalous Witness: A Little Political Manifesto for Christians offers a brilliant summary and exposition of the ways that Christianity is a politic, not a religion. Camp (Mere Discipleship) asks a series of questions that frames Christianity as not just a private spiritual practice but a guide for our life together: “How do we live together? Where is human history headed? What does it mean to be human? And what does it look like to live in a rightly ordered human community that engenders flourishing, justice, and the peace of God?” In the end, the Christian community embraces its mission when it “sets captives free, demolishes strongholds, and . . . [sows] the seeds of the peaceable reign of God.” Camp’s manifesto is a must-read in a world in which Christianity has become either a bedfellow of political parties or an isolated, private practice.

I Am Not Your Enemy

Michael T. McRay’s I Am Not Your Enemy takes Camp’s idea to the personal level. We create meaning in the stories we tell each other, and if we tell a good enough story, we can convince others that certain individuals are our enemies. But just as stories have the power to cultivate hate, they also have the power to reconcile and redeem. Throughout his travels across Israel and Palestine, Northern Ireland and South Africa, and through his work as a conflict and resolution counselor, McRay hears violence-filled narratives with shattered endings. Yet, as he illustrates, not every story needs to end this way. McRay shares stories of a mother who refuses to seek vengeance for her son’s death, a community theater director who helps people who are marginalized find their voices and discover beauty in their lives and a woman who forgives the man who murdered her father. With the verve of a great storyteller, McRay regales us with spellbinding narratives that illustrate the power of words to change our lives and bring meaning to the world.

When our relationships falter under the pressure of political or religious demands, when ambiguity more than certainty guides our lives, we may be tempted to succumb to our malaise. However, there is another option: We can stumble through the shadows, searching for some thread of meaning that will guide us out of the darkness. The […]

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