Deborah Hopkinson

We may think we know what intelligence is. After all, human intelligence is what enables us to read intriguing nonfiction books such as If Nietzsche Were a Narwhal: What Animal Intelligence Reveals About Human Stupidity by animal behavior and cognition researcher Justin Gregg, who works with the Dolphin Communication Project at St. Francis Xavier University in Nova Scotia. But as Gregg makes clear in his engaging third book, we might not know as much as we think about intelligence. In fact, we might be entirely wrong in our assumptions. It might be time to seriously question “human exceptionalism” and what it means for our species and our planet. To do that, Gregg sets out to answer the question “What good is human intelligence?”

Justin Gregg, author of ‘If Nietzsche Were a Narwhal,’ extols the virtues of stupid animals.

The author begins with a chapter about humans as “why specialists.” Anyone who has been in the presence of a toddler will recognize the “Why?” stage of development. While we may automatically assume that this ability to ask—and discover answers to—every question under the sun is uniformly positive, Gregg asks us to look at this human characteristic through a different lens: “I propose we consider a provocative premise: does asking why give us a biological advantage?” Gregg then takes readers on a time-travel expedition, from 240,000 years ago until today, to demonstrate why certain qualities associated with human intelligence have not, evolutionarily speaking, benefited either our species or the Earth. When humanity’s answers to “why questions” are wrong, Gregg explains, they lead to some truly terrible outcomes, including white supremacy and genocide.

Gregg takes readers on a wide-ranging, entertaining journey of discovery in If Nietzsche Were a Narwhal, challenging them to reexamine their assumptions about animals and humans. Along the way, he explores aspects of human experience (such as language use, morality, awareness of death and our capacity to wonder about virtually everything in the universe) and reveals ways in which nonhuman animals experience consciousness themselves. All together, If Nietzsche Were a Narwhal is a timely, thought-provoking and often sobering book that will make you look at humans, animals and the future of our planet with new eyes.

According to cognitive scientist Justin Gregg, we might be entirely wrong in our assumption that human intelligence is a good thing.

Young astronomer Mable loves to listen to Grana’s stories, but her grandmother is ill and “too weak to tell stories now.” As Mable stays close to Grana’s bedside, she looks up at the sky through a telescope, making maps of the constellations. “If we can touch the moon,” Grana asks her granddaughter, “then what is impossible?”

Later that night, Mable embarks on a quest to “make impossible things possible” by touching the moon. After a countdown, she rockets into the sky like a spaceship. As she soars among the constellations, she recognizes fantastical figures from her grandmother’s tales of African mythology and African American history, including an archer, a pair of twins and a friendly dog. When Mable stops for a sip of water from the drinking gourd, she sees tracks that remind her of the Underground Railroad. Eventually, she begins to feel tired, and a group of celestial women cocoon her in a blanket of stars until she falls asleep. No miracle awaits when Mable awakens the next morning, but Grana feels well enough to sit up and ask Mable to tell her a story.

Author Breanna J. McDaniel’s prose is warm and inviting. Grana’s illness seems severe, but McDaniel constructs a comforting, hopeful narrative that emphasizes the strong, loving relationship between Mable and her grandmother. In the book’s backmatter, McDaniel (Hands Up!) movingly describes Impossible Moon‘s personal origins. She also provides brief descriptions of the constellations Mable encounters and explains their roles in African American culture.

Illustrator Tonya Engel’s oil and acrylic illustrations are richly hued and playful. Small flames trail behind Mable’s feet as she shoots up into the sky, a rocket ship of a girl. Brilliant blues evoke the dreamlike atmosphere of Mable’s nighttime adventure, while tiny splatters of white and yellow convey the vast number of distant stars.

Readers who enjoyed Antwan Eady and Gracey Zhang’s Nigel and the Moon won’t want to miss this fresh, imaginative lunar tale. It belongs on the nightstands of young dreamers everywhere.

Mable embarks on an imaginative journey to touch the moon in this lunar tale perfect for readers who loved Antwan Eady and Gracey Zhang’s Nigel and the Moon.

Readers may be most familiar with Ed Yong from his Pulitzer Prize-winning science writing for The Atlantic. His first book, the New York Times bestselling I Contain Multitudes, explored the world of microbes. In his new work of nonfiction, An Immense World, Yong tackles the realm of animal senses, taking readers on a fascinating journey backed up by impressive research.

Yong’s scope is far-reaching, and the issues and scientific concepts involved are sometimes complex. But much like a skilled mountain guide, he takes the time to prepare readers for what lies ahead. In the introduction, Yong not only identifies basic terms (such as stimuli, sense organs and sensory systems) but also provides guideposts for the journey ahead, challenging readers to use their imaginations in order to overcome the blind spots humans inevitably have when trying to understand sensory systems immensely different from our own. As Yong writes, “Our intuitions will be our biggest liabilities, and our imaginations will be our greatest assets.”

Subsequent chapters do indeed engage the imagination. Yong’s book is organized by different senses, some which are familiar—such as smell, taste and sound—and others much less familiar. In a chapter titled “The Rippling Ground: Surface Vibrations,” we learn about scientist Karen Warkentin’s groundbreaking discovery that embryonic tadpoles can hatch early if they sense a snake attack. Other such fascinating anecdotes abound throughout this book, and it’s safe to say readers will have a hard time not sharing newfound knowledge in daily conversation. For example, did you know that Philippine tarsiers emit sounds with frequencies above the ultrasonic boundary, or that 250 species of fish can produce their own electricity?

Yong brings to this project a supreme mastery of science writing for the general reader, so don’t be intimidated by the nearly 50-page bibliography. An Immense World is an accessible, illuminating and endlessly exciting reading experience. Yes, nonfiction about science can be page-turning!

While this title is perfect for adult nature lovers, the accessibility of Yong’s approach also makes this a wonderful gift for high school or college students interested in science. For at its heart, this treasure of a book is a sober reminder of what’s at stake in the 21st century—and today’s students will be tomorrow’s researchers and citizen scientists. “A better understanding of the senses can show us how we’re defiling the natural world,” Yong writes in his closing chapter. “It can also point to ways of saving it.”

An Immense World is an accessible, illuminating and exciting reading experience. Yes, nonfiction about the science of animal senses can be page-turning!

The life of a 19th-century poet, painter and gardener is vividly captured in Celia Planted a Garden: The Story of Celia Thaxter and Her Island Garden, a lovingly written and illustrated nonfiction picture book. It’s a fruitful collaboration by award-winning writers Phyllis Root and Gary D. Schmidt, with colorful, engaging illustrations by Melissa Sweet.

As a young child, Celia Thaxter (née Laighton) moved with her family from Portsmouth, New Hampshire, to White Island, part of the Isle of Shoals archipelago off the coasts of New Hampshire and Maine, where her father became the island’s lighthouse keeper. In 1847, when Thaxter was 12, her father built a large hotel on nearby Appledore Island. Thaxter worked in the hotel and planted a garden on its grounds.

The hotel attracted summer visitors, including well-known artists and writers such as Henry Wadsworth Longfellow and Nathaniel Hawthorne. Thaxter blossomed as her relationships with these creative figures opened up her world. Eventually, they encouraged Thaxter to write stories and poems about her life on the island and helped her find publication.

Thaxter moved to Watertown, Massachusetts, after she married, but she continued to spend summers on Appledore Island. During the winter months, she wrote and painted greeting cards and china pitchers, bowls and plates. Today, Thaxter is best known for her 1894 book, An Island Garden, illustrated by the American impressionist painter Childe Hassam, and for her garden on Appledore, which was re-created and restored in 1977.

Root and Schmidt’s accessible text focuses on Thaxter’s lifelong love of nature. Sweet incorporates hand-lettered quotations from Thaxter’s own writing, bringing her poetic voice into many of the book’s gorgeous spreads: “The very act of planting a seed has in it to me something beautiful.” Although Celia Planted a Garden contains substantial back matter, including a biographical note, a timeline of Thaxter’s life and an annotated bibliography, specific citations for Thaxter’s quotations aren’t include, which is a notable omission considering their prominence in the book.

Much like Barbara Cooney’s beloved Miss Rumphius, Celia Planted a Garden evokes the magic of summers in Maine and the joy of tending flowers. And like that classic picture book, Celia Planted a Garden is sure to inspire a new generation of young gardeners everywhere.

This picture book biography of 19th-century poet, painter and gardener Celia Thaxter evokes the magic of summers in Maine and the joy of tending flowers.

Puzzles are big news—and big business—these days. With their capacity to entertain, challenge and provide a distraction from the stresses of daily life, puzzles have found a wider audience than ever before.

In the introduction to his new book, The Puzzler: One Man’s Quest to Solve the Most Baffling Puzzles Ever, From Crosswords to Jigsaws to the Meaning of Life, journalist, bestselling author and invenerate puzzler A.J. Jacobs (The Know-It-All) shares the euphoria he felt upon learning that his name was featured as a clue in a New York Times crossword puzzle. He’d made it to the big time! But, alas, it was a Saturday puzzle, one of the hardest of the week. So, not a household name just yet, just an obscure clue.

However, Jacobs may find his name appearing in clues more often as puzzle lovers old and new discover this timely and entertaining exploration of why we love (and, yes, often become addicted to) all sorts of puzzles—from the word puzzle books we gobbled up in childhood, to jigsaw puzzles on card tables during family summer vacations, to the world’s recent embrace of a simple daily word game. (You know the one.)

A.J. Jacobs shares how he solved the hardest puzzle yet: motivating himself to finish writing ‘The Puzzler.’

Jacobs covers a wide variety of puzzles, including anagrams, mazes, math and logic puzzles, Rubik’s Cubes, Sudoku, riddles, ciphers and, of course, crosswords—his first love. He admits to knowing the exact time the New York Times crossword puzzle appears online each day. He’s also honest about the emotions involved in puzzle-solving. Frankly, it’s not all enjoyment; there’s frustration, drama, despair and even humiliation. “And sometimes there’s terror,” Jacobs writes, speaking of the creeping fear that getting stuck portends mental decline.

The Puzzler isn’t simply Jacobs’ personal journey, however; it’s also an exploration of the history of puzzles and their role in society. Along the way, Jacobs meets and interviews some fascinating puzzle lovers, including Jeff Varasano, who created his own algorithms to solve a Rubik’s Cube as a teenager back in 1980, and a young woman named Sydney Weaver, a “speedcuber” whose cubing has helped her with pediatric arthritis. Readers also meet crossword maker Peter Gordon, who, when asked why he thinks we’re addicted to puzzles, replied, “Well, life is a puzzle.” Indeed, as the late Maki Kaji, often known as the father of Sudoku, believed, puzzles are a journey. Jacobs’ wonderful book reminds us that puzzles help us to be present in the moment and connect with others on the same journey.

A final note: The Puzzler would make a fabulous gift as a physical copy simply because it includes original puzzles by Greg Pliska for readers to solve. But don’t despair; the answers are in the back.

Puzzle lovers old and new will be thrilled to discover this entertaining exploration of why we love (and often become addicted to) all sorts of puzzles.

Magda Hellinger was a 25-year-old Jewish kindergarten teacher when she was deported to Auschwitz from Slovakia in March of 1942. She was one of the few who survived more than three years in a concentration camp, eventually relocating to Australia, where she lived to be almost 90. During her lifetime, Hellinger shared her experiences in interviews with organizations such as the United States Holocaust Memorial Museum, all while secretly writing a memoir of her experiences at Auschwitz-Birkenau.

The Nazis Knew My Name is grounded in that memoir, self-published in 2003, but enhanced by Hellinger’s daughter, Maya Lee, who has added further research and details from her mother’s oral testimonies. The result is a compelling and seamless portrait of a young woman who managed to survive and save others through cunning bravery and compassionate leadership.

At the core of Hellinger’s approach was this: “I constantly encouraged women to work together—a very simple form of resistance. A lonely, isolated woman was always more vulnerable than one who had others looking out for her.” Her determination and use of resistance tactics emerge time and again in this chronological account of her imprisonment, which lasted until the end of World War II.

When Hellinger was given the role of block leader at Auschwitz, she realized it was crucial that the prisoners under her charge avoid any behavior that would attract attention from Nazi officials. She therefore focused on trying to keep the women under her care as healthy as possible, making sure newcomers understood the rules of the camp and warning them of the most volatile guards. And while it was dangerous to challenge SS officers directly, at key moments Hellinger did exactly that, often risking her own life to win some small concession, such as replacing worn clothing for the prisoners.

The strain of Hellinger’s various roles must have taken an enormous psychological toll. At one point, she had 30,000 women under her care, yet she didn’t falter and always returned to the touchstone of cooperation. She mobilized others to improve sanitary conditions, ensure that food was distributed fairly and hide the most vulnerable prisoners to prevent them from being selected for the gas chamber. “If we could do these things, we might save a few lives, or make life a little more bearable,” Hellinger writes. “But we had to work together.”

The Nazis Knew My Name offers dreadful insights into the workings of Auschwitz-Birkenau, but at its heart, it remains an extraordinary portrait of one young woman who fought for others in the midst of unimaginable horror.

Holocaust survivor Magda Hellinger offers a compelling memoir of fighting for others in the midst of unimaginable horror.

In his debut picture book, Nigel and the Moon, author Antwan Eady introduces a young boy named Nigel Strong. Every night, Nigel travels to the moon to share his hopes and aspirations. Nigel wants to go to space as an astronaut or leap like a ballet dancer, but most of all, he’d love to become a superhero.

During career week at school, Nigel is beset by doubts. As he pages through books about occupations at the library, he doesn’t find any dancers with brown skin who look like him. While his classmates eagerly announce what they want to be when they grow up, Nigel holds back. It’s one thing to share his secret dream of being a superhero with the moon, but quite another to say it out loud in his classroom. And when his classmates discuss their parents’ occupations, Nigel asks to be excused, worried that everyone will laugh because his parents don’t have “fancy jobs.”

But when Nigel’s mom, a postal carrier, and his dad, a truck driver, visit his class on the final day of career week, their enthusiasm for their work lights up the room. Nigel, too, beams with pride after his dad declares, “Raising Nigel’s been the best job we’ve ever had.” His parents’ support gives Nigel the courage he needs to share his dreams with his peers.

Illustrator Gracey Zhang’s ink, gouache and watercolor illustrations vividly capture the lush green trees and brightly colored houses over which Nigel soars each night on his way to the moon. Zhang’s images expertly convey Nigel’s emotions. The deep blue of the night sky and the large, luminous moon complement his nightly musings. In one spread, while his classmates share what their parents do for a living, Nigel sits at his desk on the opposite page, isolated and alone, surrounded by white space.

Eady’s spare text tells a simple but powerful story about believing in yourself and being proud of your family. A final, wordless image shows Nigel peering out his bedroom window at the moon once more, inviting readers to wonder what he might be dreaming of—and to consider their own hopes and dreams, too.

Nigel and the Moon tells a simple but imaginative story about believing in your dreams and finding the courage to share them with others.
Interview by

Greg Brennecka is a cosmochemist with a sense of humor and a flair for making complex topics both understandable and entertaining. We asked him to share a little scientific advice for all those who feel inspired to study the stars after reading Impact.


No doubt you get this a lot, but what exactly is a cosmochemist?
Ha, well, most people don’t even ask—probably because they just figure it’s something completely made up. I guess I would properly define cosmochemistry as the study of extraterrestrial materials with the goal of understanding the origin and evolution of our solar system and our cosmic neighborhood. But basically, it’s just looking at stuff not from Earth to learn cool things.

The subtitle of your book is quite memorable: How Rocks From Space Led to Life, Culture, and Donkey Kong. What was your history with Donkey Kong before writing Impact?
To be honest, I am more of a Ms. Pac-Man fan, but I also enjoyed the original Donkey Kong arcade game quite a bit growing up. I also usually choose a Donkey Kong character when racing in Mario Kart because I love throwing bananas all around the course. Please don’t hate me for that.

Your book brims with wit and humor. Have you ever considered stand-up cosmochemist comedy?
If there is a job more made up than “cosmochemist,” it is “stand-up cosmochemist comedian”!

Read our starred review of ‘Impact’ by Greg Brennecka

Many of the concepts in Impact are highly technical and complex, yet you’ve found a way to make them accessible to readers. What’s your secret?
My secret is that I am not that great at discussing things in a technical way! I think it helps that a lot of the questions we ask in geology and meteoritics are straightforward questions, such as “When did this happen?” or “What happened that could make it look like this?” There may be some technical aspects to how we get at the answers, but the questions and goals themselves are usually very relatable to readers of all backgrounds, and I think that makes my job as a writer a lot easier.

Asteroids have been in the news of late, with NASA’s Double Asteroid Redirection Test (DART) mission. What excites you most about it?
One thing to keep in mind with DART: It’s conceivable that we will need to adjust the path of an asteroid to keep it from hitting Earth someday, so making sure we know how to do that is a pretty sound preparation. And I know that “sound preparation” isn’t usually associated with excitement, but I am always very excited by humanity striving to do cool and difficult things, advancing our capabilities.

What’s the most common question about asteroids that you get?
For asteroids specifically, probably whether Earth is going to be hit by one—which probably isn’t a surprise given the popular Hollywood movies on the subject. When it comes to meteorites—the small chunks of asteroids that land on Earth—I sometimes get asked about being hit by one, but also often about what they are worth if you find one. I guess that tells us pretty clearly what motivates people: fear and money.

“Basically, it’s just looking at stuff not from Earth to learn cool things.”

If you could be magically transported to another planet so you could get a better look, which would you choose?
Oooh, that is tough. I would probably be most interested in a planet’s potential ability to harbor life, so it would be hard to argue with Mars. Do moons count? Because if so, probably one of the moons of Jupiter or Saturn, like Europa or Enceladus. There are some potentially habitable exoplanets that are being discovered almost daily now, as well, so some of those would be incredible to check out up close.

If you could go back in time on Earth, what would you want to see most?
Wow. I would probably want to figure out how life got its start on Earth, so I would travel to sometime around 4 billion years ago. If I had a second choice, perhaps Cretaceous age or so when the dinosaurs were cruising around. I wouldn’t last long, but it would be an exciting few minutes!

What has been your most breathtaking experience looking through a telescope?
For me, it probably didn’t even take place while using a telescope. Just lying down and looking at the stars in places without light pollution, I get a real feeling for how vast, diverse and dynamic the cosmos are. It blows me away every time I get the chance.

“I am always very excited by humanity striving to do cool and difficult things.”

Your book combines a love of history with a love of science. Who are some of the writers who have influenced you?
This is an easy one: Bill Bryson. His A Short History of Nearly Everything was an incredibly influential book for me and really got me into learning about the history of science and culture. I reread it in 2017, and the lack of information about meteorites is what inspired me to write Impact. I also really enjoy stuff by Mark Kurlansky (Salt) and Yuval Noah Harari (Sapiens: A Brief History of Humankind).

Your book ends with a discussion of some of the most fascinating unanswered questions in space science. What research are you working on now?
My colleagues and I are working on a few different topics mentioned in the book. One is searching for the source of water on Earth. Currently we are doing this using lunar rocks, of all things, but I think we are onto something, so keep an eye on the scientific literature. Secondly, we are working on what I like to call “cosmolocation,” which is studying meteorites to find out where they originally formed in the solar system. Basically, this involves re-creating the solar system’s structure from when it first started—before all the planets formed and moved everything around to where it is now.

There’s a long tradition of amateur astronomers. What advice do you have for someone who wants to start studying the night sky?
This might be a weird answer, but I would let them know that they don’t need to buy that big backyard telescope as a first step. There is so much open-access data available from NASA and other agencies that people can just poke through and make discoveries on their own using data about the surface of Mars or deep space images from space telescopes like Hubble. There is a lot yet to be discovered in those data troves, should one feel like getting involved.

A bona fide meteor master shares the secret behind his accessible, fascinating and funny debut, Impact.

As the subtitle of his debut work of nonfiction suggests, Dr. Greg Brennecka is a scientist with a sense of humor and a flair for making complex topics both understandable and entertaining. In Impact: How Rocks From Space Led to Life, Culture, and Donkey Kong, he makes the case that what connects the solar system, humanity, life on Earth and, last but not least, Donkey Kong, is meteorites.

Brennecka is a meteoriticist and a cosmochemist at Lawrence Livermore National Laboratory whose research interests include the early solar system. Perhaps all cosmochemists learn early on to be good communicators, but Brennecka at least has taken great pains to organize and write Impact with general readers in mind. He begins at the beginning, with explanations of what meteorites are and why scientists study them, and then he proceeds to trace the history of meteorite hits on Earth, including the impact (excuse the pun) of a meteorite called Theia that triggered the formation of the moon.

Greg Brennecka share a little scientific advice for all those who feel inspired to study the stars after reading ‘Impact.’

Brennecka also covers the history of the scientific understanding of meteorites, arguing that modern meteoritics crosses many disciplines, including astronomy, geology and chemistry, and that studying these rock samples are invaluable to scientific inquiry. But it’s not just science at stake. Solar events, such as the appearance of comets, also have cultural and historical significance. For example, William the Conqueror and Genghis Khan took the appearance of Halley’s comet as a cosmic sign in support of their military endeavors.

While the scope of Impact is impressive and far-reaching, Brennecka’s clear, succinct narrative style makes for fascinating reading throughout. His lighthearted approach extends to the illustrations, which include diagrams, cartoons and photos. For instance, in a discussion of the role that solar events have played in shaping human history, one photo of a solar eclipse is captioned: “Solar eclipse. Time to freak out.”

While Brennecka is writing for an adult audience, Impact will also appeal to teenagers who love space and science. As the author makes clear in his closing section, the study of meteorites takes a village, requiring researchers—and perhaps future researchers—from many fields. There is still much to be discovered about these rocks that fall out of the sky, and Impact will make even space novices feel eager for those discoveries to be made.

Greg Brennecka is a meteoriticist with a sense of humor and a flair for making complex topics both understandable and entertaining.

These two picture books—one set in the city, the other set on a farm—remind us that wherever we may be during the Christmas holiday season, there’s always something special about coming together to care for others and share simple gifts. 

With all her heart, Deja wants to believe in Santa, despite the doubts that her classmates have instilled in her. After all, her family’s apartment doesn’t have a chimney, and really, just how could Santa actually live at the North Pole? Deja’s mom sets out to answer these and many other questions about how Santa navigates the big city to find their home. She even reveals how he finds Deja when her family spends Christmas with their relatives in Jamaica. 

In the process, readers see glimpses of Deja’s family and community, from Mr. Clark, who cares for their apartment building, to Mr. Ortiz at the bodega, to Deja’s aunties and uncles. They’re all happy to answer Deja’s questions about how Santa works and provide evidence that “magic always finds a way.” Although Deja hopes to pose her questions directly to the source by staying up late to catch Santa in the act, well, we all know that small eyes eventually close, even on Christmas Eve. But Santa leaves behind a very special message for Deja, ensuring that the young believer will enthusiastically begin counting down the days to the next Christmas.

Tiffany D. Jackson’s lively, heartwarming text is brought vividly to life by Reggie Brown’s bright, bold artwork that depicts Deja’s close-knit community within a bustling and colorful city setting. Many children share Deja’s questions about how Santa can find them (How will he get into the building? Where will the reindeer land?), making this book an excellent alternative to Santa stories about families who live in houses with chimneys and depict only white Santas and Santa’s helpers. Santa in the City is a wonderfully magical and inclusive holiday story. 

When her parents announce that they’ll be keeping Christmas simple this year, the young narrator of Phyllis Alsdurf and Lisa Hunt’s A Simple Christmas on the Farm is less than enthused. For one thing, her dad explains, they’ll be making all their own presents. But after the girl and her mom pick out a small, straggly Christmas tree, she gets into the spirit of focusing “less on getting and more on giving,” and makes a plan to host a gathering of friends and neighbors in their little red barn.

The girl and her mom bake cut-out cookies, and as the girl hands them out, she invites members of her diverse rural community to the celebration. Among the attendees are the girl’s grandparents, who live nearby, a nurse at the senior center that the girl and her mom visit every month and the town veterinarian and her family. The ensuing feast is a delicious spread that includes candied yams, roast beef, tamales and, of course, Christmas cookies, all set against the warm glow of the barn’s interior, decorated with pine garlands and string lights.

Hunt’s artwork tends toward simple shapes and bright colors, giving it a folksy feel. She often sets off outdoor scenes with white space, which emphasizes the snowy landscape. Alsdurf extends her story’s theme in a practical way by including instructions for three easy projects that families can make together at home, such as star-shaped ornaments the girl creates with her grandmother from scraps of fabric and old buttons.

Just as in Santa in the City, A Simple Christmas on the Farm ends as the narrator looks forward to another Christmas, highlighting one of the simplest joys of the season, no matter where or how it’s celebrated: the secure knowledge that it will always come again. 

Wherever we may be during the Christmas holiday season, there’s something special about coming together to care for others and share simple gifts. 

In author-illustrator David Biedrzycki’s hilarious new picture book, secret agent Bubble07 is an alien who happens to look like a plush unicorn and has been tasked with a challenging mission: to infiltrate a human Earthling family and determine if the unicorn army should invade Earth. 

Bubble07 is beamed down into a video arcade, where a lucky dad snags it in the claw machine. In a series of interplanetary dispatches, the absurdly adorable unicorn agent files reports on daily life with its new family—an existence made somewhat more difficult by the family’s very huge, very hairy dog, whom Bubble07 suspects “might be onto me.” As time passes, Bubble07 relays many Earthling customs and delicacies that could improve life on the home planet, such as celebrating birthdays, telling bedtime stories and, above all, eating peanut butter cookies. 

Bubble07’s primary Earth contact is the family’s daughter, who hosts tea parties, brings the unicorn to school for show and tell, takes swimming lessons (Alert to home planet: Unicorns don’t float.) and gives the agent lots of loving snuggles. After 100 days, Bubble07 has gathered enough clandestine intelligence to make a final recommendation to its “fearless leader” as to the suitability of Earth for unicorns.

Thanks to the book’s large-format design, inventive text and a final twist in the endpapers, Invasion of the Unicorns succeeds on every level. Biedrzycki has crafted a read-aloud that will delight children, and its wry humor means that adults won’t mind repeat reads. Bubble07 is an endearing protagonist who surveys our world with curiosity and occasional alarm that Biedrzycki always plays for a lighthearted laugh. His pencil and watercolor illustrations are soft and warm as they portray a loving family and their diverse community.

This agent can only conclude this report by declaring Invasion of the Unicorns a treat for unicorn lovers in every galaxy.

In this hilarious picture book, a cuddly plush unicorn is actually an interplanetary spy, and the result is a treat for unicorn lovers in every galaxy.

Edward Dolnick, author of The Clockwork Universe, has a remarkable ability to explain and contextualize complex topics and create compelling, lucid nonfiction narratives. In his new book, The Writing of the Gods, he tackles the Rosetta stone, a broken stone slab weighing three quarters of a ton that was discovered in a heap of Egyptian rubble in 1799.

Once news of this discovery got out, linguists and scholars were ecstatic. The stone contained three different kinds of inscriptions: Egyptian hieroglyphs (undecipherable at the time), a mysterious middle section (which turned out to be another form of Egyptian writing) and, at the bottom, 53 lines of Greek.

“The first guesses were that it might take two weeks to decipher the Rosetta stone,” Dolnick writes. It seemed plausible that the task would be simple: If all three sections were the same text in different forms, the Greek section should provide the key. The reality? It took 20 years to interpret. Along the way, Dolnick clearly lays out the high stakes of this battle to translate Egyptian writing for the first time.

Readers are immersed in the urgency of these scholars’ task and the weight of why it mattered.

In a conversational, accessible tone, Dolnick draws readers into the mystery. He introduces linguist rivals Thomas Young and Jean-Francois Champollion and takes immense care to illustrate the daunting nature of their quest. The result is a book that’s much more than a simple biography or dull history. Readers are immersed in the urgency of these scholars’ task and the weight of why it mattered.

Reading The Writing of the Gods is like tagging along for a dazzling intellectual journey of discovery, akin to listening to a fascinating lecture. Dolnick brings this period of history to life in the same way the Rosetta stone revived ancient Egypt.

With a conversational, accessible tone, Edward Dolnick draws readers into the dazzling intellectual mystery of the Rosetta stone.
Behind the Book by

"Do you know what building this is?” I ask a gym full of third graders as I direct their attention to my next slide.

“Empire State Building!” several voices call out. (Good start. Sometimes kindergarteners think it’s the Eiffel Tower.)

“Exactly! Any idea how old it is?”

“A hundred years,” someone yells. “Ten years,” another guesses.

A boy in front raises his hand excitedly. Maybe he’s a kid who’s really into history, I think. Maybe he’ll nail it on the first try.

I call on him. “How many years old do you think it is?”

“Five thousand!”

Right. Well, therein lies one reason I like to write books that tie into historical anniversaries. Anniversaries help give kids a touchstone—a way to make sense of all that amorphous past that happened before they were born.

It’s a start if, after I visit a school, children can remember a few things: there are cars in the illustrations of Sky Boys, the Empire State Building book set in 1931, but none in Apples to Oregon, a pioneer tale set in 1847; or that not every black-and-white photograph of a man with a beard is a president. More importantly, I hope students continue to find ways to connect with and understand the lives of those who have lived before us.

In addition to Sky Boys, written for the 75th anniversary of the Empire State Building, I’ve published a book on Matthew Henson, co-discoverer of the North Pole in 1909 and Abe Lincoln Crosses a Creek, in honor of the Lincoln bicentennial in 2009.

And that brings me to my new book, The Humblebee Hunter, inspired by the life and experiments of Charles Darwin with his children at Down House.

All right. I know. All this talk of anniversaries and I’m a year late. Anyone who was paying attention to the Lincoln hoopla last year knows that Darwin and Lincoln were born on the same day—February 12, 1809.

Sometimes that’s just the way it goes.

Besides, Charles Darwin—as a transformative thinker and scientist, a lifelong naturalist and as a father and family man—is worth reading and writing about in any year.

I first began research on Darwin for a biography for young readers I published in 2005 entitled Who Was Charles Darwin? Among my valuable resources were biographer Janet Browne’s two volumes on Darwin, Voyaging and The Power of Place. (I recommend both, along with Darwin, Discovering the Tree of Life by Niles Eldridge, curator of the American Museum of Natural History.)

Actually, it was visiting the Darwin exhibit at the American Museum of Natural History in June 2006 that inspired me to write a picture book about Darwin’s family life. (It’s not the same as seeing a Galapagos turtle in person, but you can still access the exhibit online.)

As I turned a corner of the exhibit and came upon the recreation of Darwin’s study at Down House, I stopped short, transported into the epicenter of Darwin’s creative life.

This is where he wrote and worked, I thought. Here was a desk crowded with papers, pens and a microscope. And there was his comfy old armchair near the hearth, where he wrote using a cloth-covered board set across the arms. There were shelves crowded with notes for the Origin of Species. And, of course, a bed by the fire for his dog, Polly.

One could almost imagine Darwin here. But it wouldn’t have been Down House without something else—the clatter of children’s feet and the noisy, happy racket of young voices.

Charles and Emma Darwin had 10 children, seven of whom lived to adulthood. And while Darwin never traveled far after returning from his legendary voyage, biographer Janet Browne describes Down House itself as a kind of Beagle, “a self-contained, self-regulating scientific ship.”

While Emma ran things efficiently, Darwin could work in his “cabin”—his study. The children and Darwin’s numerous, far-flung correspondents became a kind of crew, ready to help with a wide variety of natural history experiments from flowers to pigeons, from worms to bees.

Bees were a favorite Darwin subject, and Darwin’s articles on bees are still cited today. In Voyaging, Browne writes that watching her husband bending over a flower, “Emma got the feeling that Darwin would have liked to be a bee above all other species.”

I was fortunate when working on The Humblebee Hunter to have the guidance of talented editor Tamson Weston at Hyperion, who paired the manuscript with gorgeous illustrations by artist Jen Corace that capture the love and warmth of the Darwin family at Down House. The story begins this way:

One summer afternoon, Mother and Cook tried to teach me to bake a honey cake.
But raspberries glistened in the sun, and birds brushed the air with song.
More than anything, I wanted to be outside.
Then, out the window, I saw Father, home from walking on his Thinking Path.
He stopped in the kitchen garden and bent over the beans. He wanted to study the bees.
Mother smiled and brushed a speck of flower from my cheek.
“Henrietta, I think your father would become a bee, if he could. Just like them, he’s always busy.”

While we have descriptions of at least one bee experiment Darwin did with his children, I can’t be sure the experiment described in the fictional The Humblebee Hunter—counting the number of flowers a humblebee visits in a minute—is one that Darwin and his children did together.

But in a letter written to the British horticultural periodical, “The Gardener’s Chronicle” on August 16, 1841, Darwin describes the number of flowers he saw a humblebee (bumblebee) suck in one minute.

Like Darwin, I did research, involving my family on summer days, bending over flowers to watch bees at work. (My results were pretty close to Darwin’s but not always exact.)

So, any idea as to the number of blossoms a bumblebee visits in one minute?

You may have to wait for summer to experiment yourself.

In the meantime, here’s a hint: it’s not 5,000.

Deborah Hopkinson gardens and writes near Portland, Oregon, where she serves as vice president for advancement at Pacific Northwest College of Art. Visit her on the web at www.deborahhopkinson.com. (And if you really want to know Darwin’s count, of course you should do research. The answer appears in Letter 607 in the Darwin Correspondence Project.)

"Do you know what building this is?” I ask a gym full of third graders as I direct their attention to my next slide. “Empire State Building!” several voices call out. (Good start. Sometimes kindergarteners think it’s the Eiffel Tower.) “Exactly! Any idea how old it is?” “A hundred years,” someone yells. “Ten years,” another […]

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