Deanna Larson

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John Grogan is more like Marley than he might want to believe. An affable, unassuming rabble – rouser, the author who penned a bestseller about his goofy dog gets up to some hilarious antics of his own in a new coming-of age memoir, The Longest Trip Home.

Our phone call to Grogan's home office near Philadelphia interrupts the former journalist and editor as he writes an entry in his journal, which he has kept since he was a teenager. "All my writing is steeped in 25 years of journal experience," Grogan says. "A lot of it makes you cringe, but important things surface." Things like the effect of an untrainable Labrador retriever on his marriage and young family. Grogan first wrote about Marley in a column for the Philadelphia Inquirer, in which he bid a sad goodbye to the naughty dog. The column got such a strong response from readers that he expanded it into a book, Marley & Me: Life and Love with the World's Worst Dog. Grogan's account of life with Marley became one of the biggest sellers of the year, spending 23 weeks at the top of the New York Times bestseller list. Readers from all over the world discovered universal truths in the minutiae of Grogan's life as he juggled marriage, kids, family, jobs, in – laws and a rambunctious canine. "I didn't connect the dots at the time, but [Marley & Me] was about accepting loved ones, flaws and all," Grogan says.

That universal theme began to bubble inside him as he sat in church at Christmastime, "feeling unmoored" on the first anniversary of his father's death. It dawned on Grogan that he should write about his funny and painful youth being raised by devout and loving Catholic Midwestern parents, while at the same time having serious doubts about God.

Despite all the "misery memoirs out there," Grogan could only write what was true: that he had a happy life with typical growing pains while searching for his place in the world."My parents were the epitome of unconditional love," he says. "It was an important lesson to me as a parent." Trying to reach their lofty expectations, he grows up in the process – but not without a series of "Leave It to Beaver" – style mishaps first.

His humorous teenage exploits in suburban Detroit in the '60s and '70s would test even the most patient parent – like the time he was told to stay away from a notorious beach popular with burnouts and potheads but manages to rationalize taking the family boat over "for a look" and ends up on the front page of the local paper after the beach gets busted."Growing up in that period, with older brothers and sisters, it was a culture of throwing the establishment out and going down this new path," Grogan says. "Lots of kids got lost in that period and never came back."

Grogan manages to absorb the best of his parents' teachings while struggling to make his own decisions against their old – world thinking, editing the weed – inspired counterculture newspaperInnervisions in high school, being hauled to the principal's office twice, and later sleeping with girls in college."Before I could answer," he writes about his mother's long – distance grilling, "she started in about the sanctity of marriage and the need for God's blessing of sexual relations, and the repercussions of one irresponsible act. It was time to abandon ship. The SS Honesty was going down."After fudging about where his girlfriend slept during homecoming, "they finally seemed to buy it," he writes.

John Grogan is more like Marley than he might want to believe. An affable, unassuming rabble – rouser, the author who penned a bestseller about his goofy dog gets up to some hilarious antics of his own in a new coming-of age memoir, The Longest Trip Home. Our phone call to Grogan's home office near […]
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The smart mischievous chicken, the sweet sensitive cow and the problem-solving pig are the stuff of cartoons. But these almost human qualities are based in reality, according to scientist and animal welfare pioneer Dr. Temple Grandin, and that’s hard to swallow when the animals become breakfast or dinner.

"All animals and people have the same core emotion systems in the brain," she writes. All sentient beings—from wildlife and zoo residents to farm animals and family pets—deserve greater understanding, humane treatment and respect, according to Grandin, who has targeted massive industrial farming companies and meat plants as well as the average pet owner with her award-winning animal welfare work.

"I feel strongly we have to give animals a decent life," she says by phone from Fort Collins, where she is a professor of animal science at Colorado State University.

Grandin’s work with animals has been strongly influenced by her own autism, a condition that has helped her understand how animals perceive the world. She has explored the connection in two best-selling books, Thinking in Pictures and Animals in Translation: Using the Mysteries of Autism to Decode Animal Behavior.

Her extraordinary new book, Animals Make Us Human: Creating the Best Life for Animals makes a connection between the humane treatment of farm animals and the physically and emotionally healthy life that household pets deserve. 

Most animal behavior—pleasant or obnoxious—is driven by "the blue ribbon emotions," according to Grandin, which include seeking (searching, investigating and making sense of the environment); rage (frustration sparked by mental and/or physical restraint); fear; lust; care (maternal love and caring); and play.

She identifies the primary emotions motivating animals in various locations: the wild, the "enriched environments" of zoos, industrial farms, ranches and homes. Then she explains how to recognize the physical and behavioral signs of both stress and satisfaction to bring out the best in any species.

"Usually—but not always—the more freedom you give an animal to act naturally, the better, because normal behaviors evolved to satisfy the core emotions," she writes.

Grandin’s interest in animal welfare dates back to her childhood, when she can recall happy, emotionally healthy dogs wandering her childhood neighborhood ("We never had leash aggression," Grandin says), which contrasts with her current observations of lonely dogs barking and whining in isolated backyards.

But the "normal" behaviors for a dog—roaming the countryside for miles per day—usually aren’t possible for the modern pet owner, so Grandin identifies good substitute behaviors like off-leash romps, plenty of games with humans and a rotating stash of toys which stimulate the play and seeking drives.

"Dominance aggression" or leash aggression has become extremely common in modern dogs. But Grandin suggests that aggression—which isn’t an animal emotion—has its basis in fear and anxiety, which are painful emotions that can be addressed through frustration tolerance and obedience training.

Her own childhood struggles with autism and her perception in pictures rather than words helped Grandin comprehend how animals see the world. Observing how cattle became calm in the "squeeze" chutes used to perform veterinary procedures on her aunt’s ranch, she discovered the same calming sensation for her own hyper-awareness and anxiety. After earning degrees in animal science at Arizona State and the University of Illinois she then designed a similar, humane chute now used by more than half of the beef processing plants in America.

In Animals Make Us Human, her anecdotes about working with the meat industry, zoo keepers, ranchers, farmers and other animal owners make for fascinating reading. She helps cowboys shoo "riperian loafers" grazing on protected land by getting them to work with the cattle’s nature instead of against it. She explores why cats are trained effectively with a clicker. ("A cat . . . hasn’t evolved to read people, and he isn’t motivated to scrutinize his owner for signs. You know a cat is going to hear a click.") She helps a horse owner figure out why his mare went "berserk" when a carriage harness was put on after discovering that a previous owner had made his harnesses out of rubber, snapping the horse’s skin like a big rubber band. And she stares at the flip side of abuse, the farm workers too tenderhearted to put runts or sick animals down. "When employees repeatedly go through the pain of holding onto an animal and watching it suffer and then finally euthanizing it or watching it die, eventually they’re going to become desensitized to animal suffering. That’s how habituation works."

Grandin has dedicated her entire career to meat-industry reform and animal welfare, designing plant audits for huge corporate buyers like McDonald’s, and showing often-reluctant CEOs that animals can be processed quickly and humanely with a few often inexpensive modifications, as well as better training and monitoring of staff.

"I would have liked that they just stopped being mean to the animals," Grandin says. "But if you want change to happen, you have to do it on business terms."

She encourages her students to enter the animal welfare field, and encourages ordinary animal lovers to find out where their food comes from, then consider writing a hand-crafted note to big corporations rather than a form letter or e-mail ("Those count," Grandin says). And she hopes that her insights into horses, dogs and cats in the book will perhaps turn a "mere" pet owner into a gentle agitator, bringing "real change on the ground."

"You have to be consistently insistent," Grandin says of her tireless and unsentimental work on behalf of animals. "Activists soften the steel, then I bend it into pretty grill work."

 

 

Deanna Larson writes from Nashville.

Author photo by Joel Benjamin.

The smart mischievous chicken, the sweet sensitive cow and the problem-solving pig are the stuff of cartoons. But these almost human qualities are based in reality, according to scientist and animal welfare pioneer Dr. Temple Grandin, and that’s hard to swallow when the animals become breakfast or dinner. "All animals and people have the same […]
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Betty White has been on a roll—a tear, really—for decades. Her show business career has only paused a few times since the late 1940s, when she debuted at the dawn of television with the ad-libbed “Hollywood on Television,” then moved to her own pioneering sitcom “Life with Elizabeth,” which she co-created, co-wrote and produced in the 1950s at the ripe old age of 31.

“I didn’t know any better,” says White, who is now 89. “There wasn’t an alternative—the job was there to be done and you did it. I was so lucky to get in television on the ground floor when it was starting out. I was on five and a half hours a day, six days a week, so it was like going to television college.”

"I have been so blessed. If you ever hear me complain about anything, throw me away!"

While attending “television college,” White hosted classic TV game shows and starred in many award-winning sitcoms including “The Mary Tyler Moore Show” and “The Golden Girls.” Last fall she hosted “Saturday Night Live” and now she stars in the cable television hit “Hot in Cleveland.” All the while, White was writing books about her time in Hollywood and her love of animals, beginning with Pet-Love: How Pets Take Care of Us in 1985.

“The bottom line is: I’m the luckiest old broad!” White says by phone from her Hollywood home, her beloved Golden Retriever Ponti on her lap. “I have been so blessed. If you ever hear me complain about anything, throw me away!”

Her new book, If You Ask Me (And of Course You Won’t), has the scoop on her white-hot career and latest projects, including impressions from the sets of SNL and “Hot in Cleveland” and her work on films like The Proposal with Sandra Bullock and The Lost Valentine with Jennifer Love Hewitt.

White also touches on her childhood, her funny parents and her charmed early days in show business, as well as her present popularity, with anecdotes about the perils of typecasting and fascinating stories from her long performing career. Chapters include Body and Mind (“Somewhere along the line there is a breaking point, where you go from not discussing how old you are to bragging about it.”); Love and Friendship (including being a stepmom and dating when most interesting prospects are “much younger men—maybe only 80”); and Animal Kingdom, with touching but unsentimental stories about the animals she has rescued, loved and lost. The final section, Since You Asked, features White’s spirited ruminations on integrity, aging, keeping your head on your shoulders and remaining relevant in a “tough business.”

“Right now I’m doing ‘Hot in Cleveland’ with the greatest gals in show business,” White says. “We all adore each other! From the word go, we fell in love. I’m having the best best time. But that’s a whole different experience from going home and writing.”

White and husband Allen Ludden (who died in 1981) were good friends with John Steinbeck, and she was inspired by the author’s work ethic, right down to his habit of writing with a dog lying on his feet. She writes all of her books in longhand and finds that a fresh pack of paper is her greatest incentive to write. This funny, gregarious lady can think of nothing better than being alone with her animals, writing.

“It’s such a private thing,” White says. “You work it out in your head and you can work anywhere. All of a sudden, if something hits you that you want to put down on paper—it’s just a lovely experience.”

White wanted to be a park ranger or writer when she grew up and jokes that her first book was written at 14. “I wrote it with a pen dipped in ink, in longhand. It was a wonderful original story,” she deadpans. “A girl on a ranch and her brother was sick. I didn’t know quite how to finish it off. It was 106 pages. Finally I had an idea: It turned out to be a dream. She woke up and her brother was well and everything was fine. I just thought it was genius.”

If You Ask Me is White’s sixth book (her recently reissued book, Here We Go Again: My Life in Television, “is the closest to an autobiography”) and she has another one planned for next summer, a photography book with anecdotes about the animals at the Los Angeles Zoo, where she was zoo commissioner for three years and an active board member for 47 years. The little girl who collected blown-glass animal figures rather than dolls has been a lifelong advocate for animals, also spending 48 years on the board of the Morris Animal Foundation. The organization funds studies into specific health problems of dogs, cats, horses and wildlife, including gorillas in Rwanda.

In the book, White tells about her up-close visits with Koko the signing gorilla at the zoo.

“She’s my baby!” White says. “I had the privilege of visiting with Koko three times. She knows me now—she calls me ‘Lipstick.’ When she sees me she runs her fingers across her lips. She’s so magnificent, I can tell you.

“That’s my love—my animal work,” White says. “I have to stay in show business to pay for all my animal work!”

From her 1950s TV appearances to her recent SNL skits, Betty White has been the very definition of a trooper, throwing herself into making people smile. But this feisty octogenarian refuses to take credit for her incredible likability with audiences across generations.

“Have I got you fooled,” she says. “But I’m not going to talk you out of it.”

Betty White has been on a roll—a tear, really—for decades. Her show business career has only paused a few times since the late 1940s, when she debuted at the dawn of television with the ad-libbed “Hollywood on Television,” then moved to her own pioneering sitcom “Life with Elizabeth,” which she co-created, co-wrote and produced in […]
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When you bite into a burger, a steak sandwich or pile of juicy wings—and sauce drips down your wrist and your jaw aches from opening wide—you’re having a classic Guy Fieri moment.

The restaurateur, author and top-rated Food Network personality is best known for his hit show “Diners, Drive-ins & Dives” and the best-selling cookbooks of the same name, in which he travels the nation in his ’67 Camaro in search of the best hole-in-the-wall joints with “good food by good people.” 

But long before “Triple D” (as Fieri refers to it), his quirky rock-’n’-roll, adrenaline-fueled food philosophy helped him win season two of “The Next Food Network Star.”

“I didn’t want to do ‘The Next Food Network Star,’” the very busy Fieri says in a phone interview. “I had no interest—go on national TV and lose? But I always had this mantra in my company: Take that hill. Be all that you can be. That’s the challenge.”

He sized up the competition and realized that most of the contestants were younger and had been to culinary school. He decided to focus on “having a good time, and maybe I’d get to meet Emeril and hang out with Bobby Flay.”

Fieri ended up winning the whole thing, and made his Food Network debut with “Guy’s Big Bite.” Ditching the traditional chef’s coat and bandana for bowling shirts, spiky dyed blond hair, tattoos and man-bling, he created a big, bold, in-your-face food category that he has made his own.

“I’m comfortable with who I am and how I cook and what I do,” Fieri says. “I don’t believe in luck. I think it all comes back to surrounding yourself with good people, surrounding yourself with information and, more importantly, feeling comfortable in your own skin.”

On May 3, Fieri moves a bit beyond his bad-boy, rock-’n’-roll image with his first cookbook of original recipes, Guy Fieri Food, which includes more than 125 recipes, plus color photos and cooking tips. The same goofball humor and big flavors are there, and the same emphasis on quality ingredients and expert preparation, whether it’s a hot dog or filet mignon. But this book focuses on how he cooks at home in Northern California, where he also owns and manages a small chain of fusion restaurants.

“I’m very into ethnic food, fresh food, vegetables,” Fieri says. “I’m a huge texture person. Love BBQ, love stuff that has to cook for 12-16 hours, love Asian food, love complexities, love French food, Italian food, love making pasta, love making food and working with it.”

Guy Fieri Food features twists on everyday classics from appetizers, soups, salads, sandwiches, pizza and pastas, to main course meats and seafood, vegetables and sides, sauces and marinades, a smattering of desserts and drinks, all with a funky fusion of flavors (Irish Nachos, anyone?).

“The recipes are out of bounds,” Fieri says. “Everything from Asian to All-American to cooking with your kids, to homemade whole wheat pizza dough to juicing fresh vegetables, making chicken stock, tomato sauce and meatballs—not that I’m trying to be everything to everybody. I just opened up my Rolodex to the 150 recipes that I’ve been cooking at home and this is what you get.”

While Blackened Sesame Salmon with Cellophane Noodle Salad, Caramelized Leek and Apple Pizza and Lamb Loin Chops with Mint Pesto could be at home in any California restaurant, Fieri adds Bacon Jalapeno Duck Nuggets, No Can Beato This Taquito, and Good-to-Go Pizza Dough to the mix. It’s the high and low he’s known for.

“There are some steak sandwiches, there is some crazy food in there,” Fieri says of the new book that aims to teach as well as make cooks salivate. “But what you’re going to see is a lot of fresh ingredients. I broke down all the vegetables, cuts of meat. I try to give some insight. Chili from dried beans—that’s just the energy. It’s the life of Guy with food.”

Long before he became known as a fearless rock-’n’-roll chef, Fieri fell in love with food as a 16-year-old exchange student in France. Today, he shows great respect for all the cooks he visits on his “Diners, Drive-ins & Dives” show. “The guy making the burger, that’s what he wants to make, how he wants to live. That’s his domain,” he says. “When you walk into somebody’s castle, you’ve got to respect that. That’s how I was raised.”

Fieri’s new cookbook reflects the way he and his family really eat. His children have never been to McDonald’s.

“Probably the last thing you’ll ever see me eat is a hamburger,” Fieri says. “I’d much rather have a tri-tip sandwich—I can’t even tell you the last time I had fried food, and not because it’s wrong. I love a good french fry like anybody [else], but I have to keep a balance.”

“I’m not saying I’m a purist—you can look at my petite 215-pound structure and tell I’m not some dietary wizard,” he says. “It’s about eating good food by good people. Make a french fry the right way, use good beef, fresh baked buns, lettuce that wasn’t sliced two weeks ago and packed in a bag in Schenectady. Keep it real.”

It also reflects how Fieri spends his off-camera time. He helped draft California legislation proclaiming the second Saturday in May as “Cook With Your Kids Day” and just launched Cooking with Kids, a program that promotes healthy eating habits and encourages families to share quality time in the kitchen. Fieri has also visited military bases as a guest of the U.S. Navy, entertaining troops and consulting with their cooks.

Whether he’s cooking for family, hosting hopefuls on the hit game show “Minute to Win It,” “bustin’ down” another best-selling book or cooking show, or hitting the culinary highway with “The Guy Fieri Road Show,” his focus is always clear: quality food and maximum fun.

 

When you bite into a burger, a steak sandwich or pile of juicy wings—and sauce drips down your wrist and your jaw aches from opening wide—you’re having a classic Guy Fieri moment. The restaurateur, author and top-rated Food Network personality is best known for his hit show “Diners, Drive-ins & Dives” and the best-selling cookbooks […]
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Each year, nearly 20,000 young people “age out” of America’s foster care system, and many of them have nowhere to go. Writer Vanessa Diffenbaugh has transformed this sad statistic into an extraordinary debut novel.

The focus of a fierce bidding war among publishers, The Language of Flowers tells the visceral and deeply touching story of Victoria, a teen who has been discharged from foster care, leaving her alone and emotionally barricaded. It’s also a compelling story about spiritual hunger and the power of nature—and human connection—to help heal hearts.

“My book is helping to tell a story that needs to be told.”

“It came pouring out of me,” Diffenbaugh says of the six-month process of writing the book. “It was about a year and a half from the time I started it to the time I sold it. Pretty quick for a first-time novel and a bunch of kids in the house,” Diffenbaugh laughs, as she juggles a bit of background chaos, plus kids and a babysitter’s schedule, at home in Cambridge, Massachusetts.

Set in San Francisco and Napa Valley, The Language of Flowers draws heavily on Diffenbaugh’s upbringing in Northern California, with its fertile farms and vineyards, as well as her experience as a foster parent. Born in San Francisco, she studied creative writing at Stanford and taught art and writing to young people in low-income communities before becoming a full-time parent. She and her husband, PK Diffenbaugh, have two biological children, and have fostered children throughout their marriage. They recently moved from California to Cambridge, first dropping their foster son Tre’von, 18, at New York University, which he is attending on a Gates Millennium Scholarship.

In the novel, Diffenbaugh takes two strands—nature and created family—and spins them into an absorbing story that is as complicated and exhilarating as any human relationship. But instead of reading like a polemic disguised as fiction, The Language of Flowers is full of startling and masterful dialogue, intense, emotional scenes that crackle and come alive as they unspool, and flawed yet sympathetic characters.

“As you can tell, I’m passionate about two things: writing and helping kids in foster care,” Diffenbaugh says. “I could recite statistics that would blow your mind about what is happening to these kids, especially as they emancipate from the system—25 percent become homeless within two years—but you’re not going to . . . feel empowered to do something about it if you haven’t had some kind of connection with a story that helps you feel on an emotional level. My book is helping to tell a story that needs to be told.”

Narrated by Victoria in flashbacks, the novel follows her life as she bounces from one foster situation to the next until she’s emancipated from foster care at 18. Her most significant relationship is with Elizabeth, a gardener who grew up on a Northern California vineyard and is now estranged from her family. Elizabeth introduces her to the Victorian-era symbolism of flowers and their secret meanings, and Victoria embraces it as a way to express difficult emotions to the adults in her life. She describes the situations that led her to become an often abrasive young adult, the self-sabotage that left her homeless in a San Francisco park, and the twists of fate that lead to her work with a high-end city florist and her guarded relationship with a Napa Valley farmer who understands her secret language like no one else. 

From the smell of warm summer fruit to the sounds of a busy farmer’s market on a Saturday morning, every scene in the novel feels authentic and immediate. (Red Wagon Productions has optioned the book for a film adaptation.)

Diffenbaugh says the truth about foster care lies somewhere between the frequent demonization of foster children in the media and the rosy picture of fostering a child portrayed in the film The Blind Side

“We’re all human and we’re all struggling. I didn’t want to end the story tied up with a ribbon, but it’s possible for people to change, it’s possible for people to overcome, it’s possible for people to reconnect even when they’ve been so hurt,” she says. “I wanted to show the whole picture.” 

While she’s already working on her next book, Diffenbaugh is also launching a new organization, The Camellia Network, to help build support for young adults leaving foster care. “I think it’s one of the most pressing and most disastrous issues facing foster care right now,” she says.

“In the language of flowers, camellia means ‘my destiny is in your hands,’ and the idea is that we’re all interconnected. The destiny of our country lies in the hands of the youngest citizens.”

 

Each year, nearly 20,000 young people “age out” of America’s foster care system, and many of them have nowhere to go. Writer Vanessa Diffenbaugh has transformed this sad statistic into an extraordinary debut novel. The focus of a fierce bidding war among publishers, The Language of Flowers tells the visceral and deeply touching story of […]

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