Adam Dunn

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Ahab's Wife is bound to be remembered as an epic. At almost 700 pages and spanning roughly the first half of the 19th century, the novel follows the life of a rather atypical woman named Una, whose curiosity and native intelligence push her beyond the bounds of her family, her region, and her gender.

The novel begins with white knuckles: the adult Una is freezing to death in the midst of childbirth during a blizzard which has just killed her mother. Despite this, she unflinchingly deflects a posse headed by a dwarf on the trail of a runaway slave (who has hidden in Una's bed). The slave helps deliver Una's child, who dies upon birth.

And that's just the first 10 pages. Una's predicament causes her to reflect upon the circumstances that brought her to that point, which begin with her mother sending her off to live with an aunt in Nantucket because of her insane father's physical brand of religious zeal. With a keen eye for a child's interest in the natural world, the author portrays Una's upbringing among her loving, if isolated, cousins. Her reintroduction to the outside world comes in the form of two sailors who fire her mind with newfound scientific knowledge.

Donning a man's name and appearance, she joins the sailors aboard a whaler and has the bad luck to meet a foul-tempered whale that sinks her ship. After a harrowing period of deprivation at sea laced with finely wrought accounts of cannibalism, dementia, and the dogged will to survive Una is rescued and winds up aboard Ahab's Pequod. And it is there that another adventure begins.

Rich in historical detail and clever hat-doffing to other great books, Ahab's Wife nevertheless is capable of standing alone. Much of its appeal (as with Moby Dick) lies in its characters' journeys toward self-knowledge, bravery and cunning during bad times, and humor, love, and wonder in good ones. Mostly, however, the novel is a surprisingly sentimental description of the trickle-down of Enlightenment ideals to the scurvy masses, a progression away from the shackles of religious dogma to a more empirical, pragmatic approach to life.

Adam Dunn writes reviews and features for Current Diversions and Speak magazine.

Ahab's Wife is bound to be remembered as an epic. At almost 700 pages and spanning roughly the first half of the 19th century, the novel follows the life of a rather atypical woman named Una, whose curiosity and native intelligence push her beyond the bounds of her family, her region, and her gender. The […]
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Paeans to a host of other latter-day crime-writing icons abound in this dark first novel of deprivation, detection and dissection. Former NYPD Detective Charlie "Birdman" Parker, has really had it bad. The son of a child-killing cop, Parker's alcoholism destroyed his marriage in name, while a deranged killer ended it in reality by gruesomely murdering his wife and child. Having quit the force amid ugly, suspicious rumors, Parker now ekes out a meager living catching escaped fugitives for sleazy bail bondsmen, and talks through his anguish with a sympathetic (and attractive) psychiatrist named Rachel Wolfe. One of his cases ropes him into what appears to be an internal Mafia squabble but quickly leads to something altogether more sinister and depraved.

Parker, who harbors a desperate yearning to aid other people's children as he could not his own, follows a bloodstained trail from New York's outer boroughs to the Louisiana swamps (William Hjortsberg, Falling Angel) where a bayou medicine woman (shades of Midnight in the Garden of Good and Evil) helps him uncover a grisly string of child slayings (cue Andrew Vachss). While this is happening, the killer known as Traveling Man, who murdered Parker's own family, resurfaces, forcing the detective to enlist the aid of a pair of career criminals befriended during his days on the force (think Robert B. Parker here, if Hawk were gay).

As the Mob struggle spills over into a full-blown feud and the bodies start piling up, Parker and a disheveled FBI agent named Woolrich race against time to decipher the gory language of Traveling Man's psychopathology and determine where he will strike next (Thomas Harris, big time). Traveling Man's MO has a terrible familiarity for Parker, which in turn increases his dependence on Rachel, which leads to well, you get the idea. Connolly's nods to established authors carry more than a touch of homage, and Connolly himself employs a strong command of the written word and his American locales. Every Dead Thing is a promising first attempt, and should appeal to many fans of the genre.

Adam Dunn writes reviews and features for Current Diversions and Speak magazine.

Paeans to a host of other latter-day crime-writing icons abound in this dark first novel of deprivation, detection and dissection. Former NYPD Detective Charlie "Birdman" Parker, has really had it bad. The son of a child-killing cop, Parker's alcoholism destroyed his marriage in name, while a deranged killer ended it in reality by gruesomely murdering […]

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