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Broken Harbor

In addition to her beautiful language and intricately constructed characters, one of Tana French’s great skills is her knack for an evocative setting. Think the deceptively quaint mountain village of Ardnakelty in The Searcher and The Hunter, or the siren call of cozy, idyllic Whitethorn House in The Likeness. But Broken Harbor is perhaps French’s finest achievement in terms of the setting as microcosm for the work at large. A luxury seaside development, Brianstown was supposed to represent the ultimate in upper-middle-class achievement for the Spain family, most of whom were murdered in their home by an unknown intruder. But a burst housing bubble left Brianstown’s construction only halfway completed: The neighborhood looks more like the decrepit cityscapes of Inception than the idyllic capitalist dream on the brochure, and instead of being part of a thriving community, the Spains were some of the only inhabitants of the urban equivalent of a sandcastle disintegrating on the beach. Things get even eerier when you get inside their house, which is literally full of holes, some of which have baby monitors placed next to them. There is an answer as to what the Spains were looking for, but the point is that they couldn’t stop searching, that materialistic striving can so quickly turn into paranoia, even as the walls literally crumble around you.

—Savanna, Managing Editor

Still Life

Still Life, the first mystery in Louise Penny’s beloved Armand Gamache series, draws Chief Inspector Gamache of the Sureté du Québec to Three Pines, a remote village in the mountains of Québec, whose eclectic residents cherish their solitude. What more does one need than a bistro owned by a lovable gay couple, a solid boulangerie, a musty used bookstore and a volunteer fire department headed by a misanthropic old poet with a penchant for cursing out her adoring neighbors? Here, one of these neighbors is found dead in the forest—a hunting accident, say the authorities, as one does when death visits a woman in the woods. Rather than view Three Pines as a backwater town that time forgot (even connecting to the internet becomes a plot point), the morals-driven leader and ruthlessly clever Gamache is eager to get to know a community that is much more than the sum of its parts. As seen through his eyes, readers will be taken by the wholesome charms and stark beauty of the village, despite murder after murder occurring in the next 17 books of the series. The audiobook, read by the exceptional Ralph Cosham, is as delicious as the bistro’s warm ham and brie baguette. 

—Erica, Associate Editor

The Secret History of Twin Peaks

Speaking as a born-and-raised Washingtonian, there’s no place like the Pacific Northwest. In particular, there’s no place like the Pacific Northwest for setting a mystery. There’s something about the towering old-growth Douglas firs and the ever-present mist and drizzle that makes a cup of good diner coffee and a great slice of pie that much more comforting—and makes an unsolved case that much more bone-chilling. If you haven’t had the pleasure of experiencing the eerie beauty of western Washington in person, Mark Frost and David Lynch’s Twin Peaks will just about transport you there. And if you’re a super fan who’s already seen every episode more than once, you can move on to Mark Frost’s book The Secret History of Twin Peaks. It’s written as a dossier compiled by a mysterious “Archivist” with commentary from the FBI agent assigned to review the file and determine the Archivist’s identity. The photos, newspaper articles and journal entries begin in the 1800s and continue through the action of the TV series in 1989. Read it to feel a misty northwestern chill creep up your spine.

—Phoebe, Associate Editor

House of Roots and Ruin

The sequel to Erin Craig’s House of Salt and Sorrows, House of Roots and Ruin is a story of introspection, deception and supernatural enigmas. Verity Thaumas has struggled to find her place in the shadows of her successful older sisters, especially Camille, the duchess of their family estate, Highmoor. When Verity is offered a job from the Duchess of Bloem to paint a portrait of her son, Alexander, Camille panics and confesses that Verity sees ghosts and can’t differentiate them from real people, making her a liability to the family name if she were to go out on her own. Consumed with doubt, fear and resentment, Verity flees Highmoor later that night. With nowhere to go, she makes her way to Bloem, an ethereal region of lush scenery and bright colors; it’s a stark difference from the salty, dreary mood of her homeland. But it doesn’t take long for the dreamy Bloem estate, Chauntilalie, to expose its dark side, from Duke Gerard’s poisonous botanical experiments to the ghosts stuck in a time loop. Amid her growing love for Alexander, Verity confronts the challenges of her new home, all while trying to keep her abilities hidden. But if Verity isn’t careful, she might not only reveal her identity, but also uncover family secrets that could threaten Chauntilalie as a whole. Readers will relish how Craig juxtaposes eerie details with her extravagant setting in this gothic, fantastical and romantic story.

—Jena, Sales Coordinator

All good mysteries must have a fiendishly compelling plot, but truly great mysteries place their central puzzle in an equally fascinating setting.
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A Refiner’s Fire

Hard to believe though it may be, Commissario Guido Brunetti has survived 32 hair-raising adventures thus far, and is back for number 33 in Donna Leon’s sophisticated police procedural series set in Venice, Italy. As A Refiner’s Fire opens, members of two rival gangs have been herded into the police station following a late-night dust-up in a town square. One by one, the parents of the teenagers pick up their unruly offspring until only one boy is left. Orlando Monforte explains to Commissario Claudia Griffoni that his father never answers his phone when sleeping. In the interest of expediency, Griffoni decides to accompany the boy home; it is a decision that will come back to bite her. Meanwhile, Brunetti has been tasked with the vetting of one Dario Monforte, a onetime hero of the Carabinieri, the Italian military police, and, coincidentally, the father of the aforementioned Orlando. As his investigation proceeds, Brunetti is troubled by the ambiguities of Monforte’s supposed heroism, most particularly by the fact that he never received any sort of medal or commendation, seemingly because he was under investigation for antiquities theft. Tangentially, Brunetti’s friend and co-worker Enzo Bocchese, a collector of antiquities, is badly beaten and his collection is vandalized, likely by a particularly nasty gang member who lives in his building. The cases begin to dovetail as Brunetti and Griffoni uncover disturbing connections to the highest levels of the government. The grand finale is truly inspired, explosive in every sense of the word and perhaps the best of Leon’s long career. 

The Night of Baba Yaga

The Night of Baba Yaga, the English language debut of Japanese writer Akira Otani, features all the elements you could hope for from a crime thriller set in the Land of the Rising Sun: a heroine spiritually descended from samurai stock; two pairs of lovers on the run; a beautiful and spoiled young woman treated like a hothouse flower by her doting father; and a yakuza presence that is gloriously, gratuitously violent, well beyond the traditional chopping off of a pinky finger for perceived insubordination. Both the dialogue and the prose, translated by Sam Bett, are staccato and to the point; there are no wasted words. In that regard, the story is very akin to Japanese illustrated novels (only without the illustrations, which would almost certainly be too graphic for Western sensibilities). Baba Yaga, for those of you unfamiliar with her, is a legendary Russian witch who lives in the forest, in a house built on gigantic chicken legs that would raise and lower upon her command. She is noted for her cruelty, her rather bizarre sense of humor and her occasional kindness to those who are pure of heart, few though they may be. She figures strongly in Otani’s narrative, which is nicely done, indeed.

Think Twice

When the feds pay a visit to sports agent Myron Bolitar, he is more than a little surprised by the reason: They want to know the whereabouts of Myron’s nemesis-turned-friend, former basketball star Greg Downing. Problem is, Greg Downing has been dead for three years; Myron delivered the eulogy. The second problem is that Downing’s DNA has been found under the fingernails of someone who was just murdered, so now Myron is a person of interest in the investigation. Think Twice is the 12th installment of Harlan Coben’s popular series featuring Myron and his uber-wealthy and mysterious sidekick, Windsor Horne Lockwood III (aka “Win”), and the mystery is much more than a possible case of a faked death. The authorities suspect that the recent murder was but one of a series of homicides all perpetrated by the same person, a serial killer who then artfully and seamlessly framed someone close to the victim. The difference with this latest case is that the perp apparently got a bit sloppy and left DNA at the scene: Greg Downing’s DNA. And now the FBI is closing in on Downing (who may indeed be dead) and his known associates. First-person accounts by the as-yet-unidentified murderer appear here and there throughout the narrative, with “How I did it” details that are both inventive and jarring. Cool story, cool characters, tasty twist ending. What’s not to like?

Like Mother, Like Daughter

Anyone who ever had issues with a controlling and overprotective mother will empathize with Cleo, and anyone who ever had issues with a rebellious teenage daughter will certainly empathize with Cleo’s mother, Kat. But their fraught relationship is about to change in ways neither could predict, within pages of the opening of Kimberly McCreight’s new thriller, Like Mother, Like Daughter. It’s been a while since they met; they’re not exactly estranged, but are nonetheless distant. Kat has extended an olive branch, however, in the form of a homemade dinner and a promise not to be contentious. But when Cleo arrives, Kat is nowhere to be found. Food is burning on the stovetop and in the oven, and a bloody canvas shoe suggests foul play of some sort. Chapters alternate between Kat’s and Cleo’s perspectives, sometimes in flashback to each of their childhoods, but more often cutting back to the week leading up to Cleo’s discovery that her mom has gone missing, and then moving through the investigation. We learn that Kat’s law firm job was quite a bit more convoluted than she lets on, that Cleo was a part-time drug courier, that several million dollars have mysteriously gone missing from Kat’s bank account, and that Cleo’s exceptionally bad choices in lovers threaten to bring things to a very unpleasant denouement. And we also learn that Kat’s rigidity has at times been tempered by a dangerous rebellious streak, while Cleo’s fierce individuality can be overshadowed by an equally fierce protective urge, given the right circumstances. Like Mother, Like Daughter is intense, thought-provoking and completely unputdownable.

Akira Otani makes her English language debut with The Night of Baba Yaga, plus the latest from Donna Leon and Harlan Coben in this month’s Whodunit column.
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Diane Marie Brown’s Black Candle Women tells the story of three fierce Black women united by the spells and elixirs that have been passed down in their family. Willow, Augusta and Victoria Montrose lead a quiet existence in California until Victoria’s teenage daughter, Nickie, becomes involved with Felix. Unaware of the family curse—that anyone a Montrose woman falls in love with is doomed to die—Nickie risks everything for her new relationship. Richly atmospheric, Brown’s moody, magical novel is a profound exploration of family, legacy and love.

In Thao Thai’s Banyan Moon, Vietnamese American artist Ann Tran struggles with the loss of her grandmother, Minh. After unexpected events jeopardize her romance with Noah, a professor, Ann goes to Florida for a difficult reunion with her mother. As they work to heal their frayed relationship, they learn that Minh has bequeathed them Banyan House, their old family home—an inheritance that may help them find a way forward. Thai’s poignant portrayal of three women connected by the bonds of family offers many discussion topics, including the immigrant experience and the nature of grief.

Hula, Jasmin ‘Iolani Hakes’ moving multigenerational novel, takes place in Hilo, Hawaii. Hi’i Naupaka has a deep interest in hula and hopes to win the Miss Aloha Hula contest, a competition her mother triumphed in years ago. But painful questions haunt Hi’i. She doesn’t know who her father is, and her grandmother—a formidable figure in the community—has nothing to do with her. When the truth about her parentage comes to light, Hi’i’s world is turned upside down. Hakes uses elements of Hawaiian history and culture to create a transportive tale of family and community.

With Burnt Sugar, Avni Doshi probes the complexity of the mother-daughter tie. In Pune, India, newly married Antara is disturbed by the behavior of her mother, Tara, who seems to be suffering from dementia. A headstrong, free-spirited woman who walked out on her marriage, Tara was a less than ideal mother throughout Antara’s childhood. Now she and Antara must come to terms with the past as they face an uncertain future. With themes of memory, forgiveness and aging, Doshi’s multilayered novel is a rewarding reading group pick.

Four powerful novels chronicle the drama and intensity of mother-daughter relationships.
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The Last Murder at the End of the World

In Stuart Turton’s post-apocalyptic thriller, The Last Murder at the End of the World, the world as we know it came to a cataclysmic end some 90 years back, when a malevolent insect-infested fog engulfed the globe, killing everything in its amorphous path. Only a handful of survivors on a remote Greek island are still alive. The leader of the island is an older (17 decades’ worth of older) woman named Niema, who developed the means to keep the fog at bay, albeit too late for everyone in the world save for the island’s 122 villagers and two of her fellow scientists. And there they sit, living out the peaceful existence that somehow eluded humanity in all the millennia leading up to the end times. But there is trouble in paradise, as the narrator (a disembodied female voice eerily reminiscent of HAL the computer from 2001: A Space Odyssey) lets the reader know from early on. The unthinkable is about to happen on the island—a murder, the resolution of which is key to saving the island from the fog, which has begun to penetrate the defenses that Niema set up all those years ago. If you like some sci-fi with your murder, or conversely, some murder with your sci-fi, you have come to the right place. It’s a locked-room mystery expanded to island-sized dimensions, with a narrator who may be putting a finger on the scale that will determine the continuing existence of humankind: Y’all ain’t seen nothin’ like this before.

The Last Note of Warning

Call it the Jazz Age, the Prohibition era, the Roaring ’20s; whatever you call it, it’s Vivian Kelly’s golden ticket to the naughtiness and revelry denied by her strict Irish upbringing before she emigrated to America. Her venue of choice is the Nightingale speak-easy, where she works pouring drinks for the high society clientele. The Last Note of Warning marks Vivian’s third appearance in Katharine Schellman’s popular series, in which atmosphere doubles as a character and murder abounds. This time out, the murder hits rather closer to home: The prime suspect is none other than Vivian Kelly herself, the damning evidence being wealthy businessman Buchanan’s dried blood on her hands. Luckily for her, some well-placed friends come to her rescue, but the best deal they can broker puts Vivian in the unenviable position of having to serve up the real killer within seven days’ time. The mystery grows, um, mysteriouser when Vivian starts to suspect that someone intentionally framed her for Buchanan’s death. And heaven knows there is no shortage of shady types hanging around the Nightingale. The characters are colorful, the story is deliciously well-spun and the ambiance will make you wish that you too had been a-struttin’ in the Jazz Age.

When We Were Silent

Auspicious debut alert: Fiona McPhillips’ When We Were Silent is the strongest first novel I have read in ages, right up there with Attica Locke’s Black Water Rising, my go-to example of first-timer excellence. If you attend Dublin’s prestigious Highfield Manor private school, the first thing you learn is “What happens at Highfield stays at Highfield,” even if it involves episodes that border on the unspeakable. Louise Manson is haunted by one such episode, even though it’s been nearly 40 years since her time at the school. By most measures, she didn’t really belong at Highfield. She was working class, inhabiting the same hallowed halls as the elite by virtue of a scholarship, not old money and familial connections. And she was not there for the prestige: She was there to exact revenge for her best friend’s suicide and to take down those she deemed responsible. Not to give away anything here, but this endeavor did not go too well. Spectacularly badly, in fact, and decades later Louise is still dealing with the fallout. But now in the modern day, thanks in part to that unwritten Highfield code of silence, she may have a second chance at retribution—or she may face fallout that far surpasses that first time around. When We Were Silent is not always a comfortable read, but you didn’t come here for comfortable, did you?

Farewell, Amethystine

Easy Rawlins is 50?? How the hell did that happen? When we think of him, we think of a young Denzel Washington from the film Devil in a Blue Dress, adapted from the book that introduced Walter Mosley’s iconic private investigator to the world way back in 1990. But hey, even Denzel is past 50 now. As Farewell, Amethystine opens, the 50-year-old Ezekiel “Easy” Rawlins of 1970 is, by comparison to his younger days at least, less the firebrand and more the respectable businessman. That said, when a gorgeous young Black woman with a sad story enters his office, an event that has taken place with some regularity over the years, he can still be coaxed into action, and it is a fair bet that he will acquit himself much as he did in his younger days. Amethystine Stoller is missing one husband, and she appears convinced that Easy Rawlins is the go-to guy to find him. Which, of course, he does in short order, but the husband is sadly quite dead. Normally, Easy would tap his cop buddy, Melvin Suggs, to give him a hand with the parts of an investigation that only the police have access to. But at the moment, Suggs is in the wind with problems of his own. Do those problems include another beautiful woman? Well, yes. And will those disparate story lines have some points of connection? Seems likely. And will Mosley wrap it all up better than pretty much anyone else in the field? A resounding yes on that.

The iconic author’s latest Easy Rawlins mystery is another winner, plus our mystery columnist crowns the best new thriller writer since Attica Locke.
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Birding With Benefits

Birding with Benefits by Sarah T. Dubb is a refreshing love story about growing, changing and the natural resistance to both. Fortysomethings Celeste and John are a bit tattered by life. They’re prepared to walk their paths alone until a mutual friend asks Celeste to partner with John at a bird-watching event. On a whim, Celeste decides to continue doing so for the entire six weeks of a contest John’s entered. He’s undeterred by her inexperience and delighted by her enthusiasm, and the commitment-wary pair grow closer, finally succumbing to their attraction. Can their friends-with-benefits relationship end painlessly once the contest is over? Filled with everyday moments and a marvelous sense of place—the author’s hometown of Tucson, Arizona—readers will lose their own hearts to playful Celeste and solid John, both authentic, well-meaning people you’d like to join for a coffee or a hike. Middle-aged characters don’t star in a lot of romances; how fabulous that these two get top billing in this top-notch romance.

Wake Me Most Wickedly

Felicia Grossman’s Wake Me Most Wickedly is a genderswapped spin on Snow White set in the Jewish community of 1832 London. Hannah Moses has dedicated herself to giving her younger sister a better life, and is building a sizable dowry for her by selling secondhand goods and information to unsavory characters. Simon Weiss is similarly loyal to his brother, a banker trying to secure a spot in the gentile world through baptism and marriage. When Hannah and Simon meet, sparks fly and trouble begins. Simon is sure of himself and his feelings, but Hannah knows she can be nothing to him beyond an occasional lover thanks to her criminal activities. Grossman’s second Once Upon the East End romance is a wonderful story filled with adventure, love and, above all, passion.

All’s Fair in Love and War

A Regency governess gets a man in Virginia Heath’s All’s Fair in Love and War. Continually passed over for employment due to her plain-spoken ways, Georgina Rowe can only say yes when a desperate naval officer needs someone to watch over his rambunctious nephew and nieces. Harry treasures order and stability and Georgina provides—well, not that. Not only does she have unconventional views about how children should learn, she’s personally challenging his vow to never fall for a woman again. After a career-disrupting engagement years before, Harry savors his solitary state and how it allows him to pursue his ambitions unfettered . . . until he realizes how much he enjoys family life and the irrepressible Georgina. Readers never tire of a down-on-her-luck heroine and a hero who needs to lighten up, and Heath provides both in this entertaining romp along with puckish children, busybody servants and mischievous dogs.

Sarah T. Dubb’s charming, mature romance delights our columnist, plus the latest from Felicia Grossman and Virginia Heath.

Discover your next great book!

BookPage highlights the best new books across all genres, as chosen by our editors. Every book we cover is one that we are excited to recommend to readers. A star indicates a book of exceptional quality in its genre or category.