Lost in Translation
By Nicole Mones
Delacorte Press, $23.95
ISBN 0385319347

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"Once, every half century, at longest," wrote Nathaniel Hawthorne in The House of Seven Gables, "a family should be merged into the great obscure mass of humanity and forget all about its ancestors." A hopeful, democratic, and particularly American suggestion, but isn't ancestry, one's place in a personal, familial, and cultural lineage, a difficult fact to ignore or erase? It is the obsessive concern with this question that drives the plot of Nicole Mones's ambitious debut novel, Lost in Translation.

At the center of the novel is protagonist Alice Mannegan, who has lived for many years in self-imposed exile in the People's Republic of China after leaving behind a complicated family entanglement in the States. At 36, Mones's heroine is a lost soul whose existential longing for resolution to her problems is manifested in a desperate desire to merge with things Chinese.

She tries to erase her own identity through sexual hunger, prowling Beijing discotheques in search of men, using an assumed name and attempting to adopt a dead Chinese woman as her ancestor.

But Mannegan's personal history is largely the back-story of the novel. In the foreground, she is an interpreter for a team of American and Chinese scientists who travel to China's desert Northwest, home of Mao's infamous prison labor camps and, more symbolically, "the edge of the Chinese genetic world." The team believes they will find the bones of Sinanthropus, or Peking Man, which have been missing since World War II.

Much is at stake here. The rediscovery of the bones will provide both Western and Asian scholars with evidence that will reinforce their notions of evolution and race. For the Chinese in particular, the find could "rule out the distasteful possibility that [they] might be descended from Africans." For Mannegan, the location of the bones may help her to understand, at last, her own "place in some larger mosaic."

In the end, Lost in Translation, which is authoritative in its description of modern China is in equal parts a detective story and romance. On the search for Peking Man, Mannegan becomes involved with a Chinese homo erectus (!) expert who tries to teach her that despite her desire to shed her own origins and become Chinese, in the words of a Chinese proverb, "you can move mountains and alter the course of rivers more easily than you can change a person's nature."

Julie Checkoway is the author of Little Sister: Searching for the Shadow World of Chinese Women (Viking) and the Director of the Creative Writing Program at the University of Georgia.